Click here to view the previous entry “Starter Kit”
Click here to read the 8-part blog series of previews from the beginning
“Robot Vampire” has gotten a lot of good attention since its release in 2012 as part of Vampires Don’t Sparkle, an anthology edited by Michael West. I suspect that the story being a fundraiser for cancer research helped, not to mention its amazing table of contents, with story contributions from Lucy A. Snyder, Maurice Broaddus, Tim Waggoner, Gary A. Braunbeck, Bob Freeman and Stephen Zimmer, to name a few, all helped to bring attention to the story my way. I’m certainly proud to be in such company.
I recall the germ for the story came about on a long family drive, one in which you find yourself playing nonsense games with each other. Anyway, for reasons I can no longer remember, we started pairing up monster types and giggling over the results because when you’re slaphappy, you’re also the most hysterical people in the world. And so, someone shouted “zombie robot!” (giggle) “werewolf zombie!” (giggle) “vampire werewolf!” (giggle) “robot vampire!” And while I giggled, a part of my brain already started to wonder “how could I make that work?”
Less than a month later, Michael West and I were talking and he asked if I had any ideas to submit to his anthology. Before I could think it through, my mouth responded, “Robot vampire”. Michael smirked that awesome Michael West smirk and said, “If you can make that work, I will buy it.” “You got it,” I said, even though I had no idea beyond the title.
Must brainstorming later, I turned in a story, one I’m pretty durn proud of, and still am. And so, apparently, was Michael.
The Setup: Jinan is an experimental robot who appears as a dark-haired Japanese girl and who emulates the agility of a human dancer. Moments before her premiere exhibition, Jinan is given a last-second programming tweak. The unintended consequence is that the robot achieves sentience, and the performance that follows wows the audience beyond almost everyone’s wildest expectations. Toshio, the show choreographer, is the one person who is not happy. In fact, he is furious over Jinan’s improvisations. The moment Jinan is alone, Toshio expresses his anger.
With their absence, something changes in my internal processes, a discordant flow of energy, again beyond my parameters to analyze. A response on the opposite side of the spectrum of the positive response I experienced earlier. I search my vocabulary for an appropriate word.
Dread. Is this dread?
Toshio yells in my face. “I know what you’re doing. Showing off for your masters. They programmed you too well, you little Diva bitch in the making.”
I file a conclusion about Toshio in a heuristic subroutine and speak my conclusion out loud. “I don’t like you, Toshio.”
Toshio’s face changes; his lips curve the opposite of a smile. “Oh, I’m so sorry to hear that! You don’t like me? You think I give two shits if you like me?”
Toshio walks to the toolbox in the far corner, opens the lid and examines its contents. “Gentoshu says you can learn now. To me, that’s great news. And very bad news for you, little Diva.” He turns toward me. One hand grips a screwdriver. He waves it in the air, the end pointed toward my face. “That means you can now respond to being punished, doesn’t it? But how?” Toshio looks upon me for several seconds. “I’d backhand you if you were a real girl. But I’ll bet I can come up with a way to make you respect me.”
You don’t need to listen to him, my special friend.
I detect a voice, speaking directly to me, in my head, but outside myself. The experience, so unexpected and without context, causes me to speak out loud. “What?”
Toshio looks at me. “I said it’s time to make you understand your place.”
From his tone, I conclude that Toshio has not heard the voice.
As I consider this, the voice speaks again. I can help you, special one. I can protect you now. He cannot see me, he cannot hear me, but you can. Do not give me away, and in return I will help you.
A new thought forms in a subroutine. The voice could be caused by a splinter in my thought processes that formed a separate thought entity within my own. The idea intrigues me. But the words keep me silent.
The voice in my head laughs. A real laugh, not a simulated one. I am not in your head. I am a spirit from outside you. Do you know what a guardian angel is?
____
Thank you for reading through this series of previews. I’m very proud of this collection and hope that this gives you a better idea of what you will find inside.
Click here to go to the dedicated ordering page of Darkness with a Chance of Whimsy.
I’m pleased and honored to write the foreword in this collection, though also a bit intimidated. For many of you readers, this may be your introduction to the imaginative world of John F. Allen, and introducing you to that is quite a task to take on in a few hundred words. John and I have been through a lot together in the last half decade or so, both as storytellers trading and refining ideas, and as independent authors trying to launch our respective careers and take over the world one book at a time. We have bonded like brothers and have frequently feuded in the same manner. But ultimately it is our love and admiration for each other that keep us together on the journey. I think there’s a 70s song by Captain and Tennille that fits here (Google it, kids).
I’m excited to announce that my short story Pioneers is now up and live on Sci-Phi Journal, an online magazine that publishes tales of science fiction and philosophy. Some stories take awhile to sell, some go pretty quick. Some I am still trying to find a home for, years later. In the case of Pioneers, I had written it for an anthology that turned it down. No hard feelings, it happens, but I knew when I heard the focus of Sci Phi Journal that Pioneers would be a good fit.
‘Tis the season for ghosts and goblins and all things scary, and if you’re a reader, you’re looking for a seasonal read to get your spooky on!
