NOTE: This blog came about upon Danielle Muething concluding the recording of my latest Audible release, my short story collection Darkness With a Chance of Whimsy. I wanted to update my live blurbs for her and instead ended up writing this couple hundred word blog. Ah, well, it’s what I do.
Back in 2019, starting on my first ever audio book project, Danielle Muething blew me away with her blind audition read. All I knew I wanted at the time was someone who could read my story Haunting Obsession with a convincing “Marilyn Monroe” voice to represent the antagonist ghost of the story. Any narrator who could do that was the best logical choice “voice for hire.”
“Backstage Pass is, on one hand, a deeply personal story. Released as a “Seventh Star Single” (a 99 cent short story you can still order here, though buying the collection is a much better deal) just a few weeks before Haunting Obsession in 2012, the story was inspired by my encounters through the years steeped in pop music fandom. I tried to channel the general friendliness and surrealism of that group, some of the wacky personalities one can encounter whenever the obsessed gather together to…well…obsess together.
Although I call this a personal story, the tale is full of inaccuracies, exaggerations, and outright lies. The protagonist writes for Rolling Stone, lives in New York, and is part of the publicity staff of the object of his admiration (a southern rock belle named “Fiddle Dee-Dee”).
It was a challenge to capture the tone of these escapades and use those episodes in a sci-fi tale, and I even included cameos of real people by name in what I hope they find flattering representations (“Mary Kay,” whom I told you about in my Fade excerpt, appears in this excerpt) but the story is pure fiction beyond the general truth that people can get lost in their hobbies and obsessions.
However….that said….I thought, for this excerpt, I’d pick the moment from the story that happened very much as depicted (and recalled as best that I could). Though still fictionalized, much of this scene really did happen, with minimal fictionalization to hide the name and identity of the guilty party. I suppose “Tony Stoker” may one day want to speak to me, but probably not. The lesson remains true–don’t act “cray-cray” around a fiction writer. We just can’t help ourselves.
The Setup: In the hours following the brutal murder of pop star “Fiddle Dee-Dee,” avid fan Jared Price discovers, to his horror, that he’d actually met and interacted with her murderer months before. As the realization hits him, Jared flashes back to…
Ten months earlier—Chicago, October 29, 2010
Jared stood near his friends, Mary Kay, Jamie, Rick and Michelle, still seated at the table where they’d viewed the track-by-track live performance, essentially loitering in the club after Dee’s jazz album release party. While Dee handled the official press backstage―such as it was―they waited for the coast to clear to hold a private meet n’ greet with Dee.
Tony Stoker (dubbed by Dee’s fans as “Stoker the Stalker”) also waited, his camera with its telescopic lens hung from one shoulder while he cradled a huge scrapbook against his chest. His gaze darted to their table, around the room, and back again. Tony frequented the newsgroups, so he knew their names. And he knew they had special access.
But they knew his name, too. And they knew he didn’t have special access. At this stage in her career, Dee often showed her few devoted fans incredible consideration, but if she bothered to keep a blacklist, Tony Stoker’s name would occupy the top slot.
Jared knew Tony Stoker by name, but not on sight. As they shook hands, Tony exclaimed, “Oh, you’re Jared Price! I’m Tony Stoker. You’ve been doing her website, right?”
Jared broke eye contact and stared into his drink. Damn! Now what? “Dee … Fiddle Dee-Dee … is just one of my clients. I write a syndicated music column. Recently, Rolling Stone and Billboard invited me to submit some reviews.” He braced for Tony’s next question.
Tony didn’t disappoint. “So … you guys going to meet with her tonight?”
“Nope, definitely not,” Jared answered, hoping he didn’t sound as much a liar as he suspected.
Tony’s arm fell across the back of Jared’s shoulders. “Buddy, can I tell you something?”
Jared flinched at the man’s piercing, brown-eyed stare―the look of someone who operated on a different plane from the rest of the world. “I think Dee-Dee is a goddess,” he oozed. “Her voice has the power to heal, to hurt, to affect our world. Maybe that’s intense, but that’s how I feel.”
Unfamiliar with how to handle whack jobs, Jared hoped understatement was the proper way to go. “Yeah, uh, that comes off a bit intense.”
Stoker the Stalker thrust the scrapbook at him. “I’m a professional photographer, but this book is just my Fiddle-Dee-Dee shots.”
Opening to a random page, Jared saw eight consecutive shots of Dee on stage, virtually an identical pose, taken rapid-shot. Why display so many shots of the same moment? Because he’s a whack job. Still, can I really judge another’s level of fanaticism?
Jared flipped the page. “Here’s one of her coming out of her hotel in Wisconsin last year. I waited in the lobby for six hours.” His finger dropped to a photo of Dee, a large canvas hat over her head and dark glasses hiding her eyes. Tony caught her mouth open in a frozen snarl aimed at the cringing blonde next to her. Lisa.
Jared knew about the fight, but few others did. He wanted to slug the slimy leech.
The Stalker’s voice droned on. “After about four hours, the bellboy asked me if I wanted something to eat. I told him I was fine.…”
“Everything okay here?” His “date,” Mary Kay, wandered over from their table. Though Mary Kay was “very gay,” they play-dated at concerts.
He read the questioning look in her eyes. “Just fine, MK. I was telling Stoker here,” he emphasized the name, “that Dee’s calling it an early night.”
“Yep!” She ran with the lie. “We were talking about hitting a dance club. Chicago’s got a wicked night life, and we wanted to do something positively sinful.” She flashed a mischievous smile.
Jared took her hand. “I like how you think. But first, I need to find the restroom.” He turned toward Stoker, who looked miserable. “Want to go clubbing?”
“No … I don’t think so. Maybe I’ll hang out for a few more minutes.”
“Suit yourself.” He headed for the Men’s Room.
Once alone, he pulled out his phone, found the D. Pat Cell entry and hit Talk. He kept Fiddle Dee-Dee’s name entered under an abbreviation of her little-known birth name, Deana Patterson. Last thing he needed was to lose his phone and for someone to find her name and number.
“Hello?” A familiar southern drawl.
“Dee? It’s Jared. Sorry to bother you.” He always apologized. Fiddle Dee-Dee deserved the proper respect. “We’re down here, but a guy named Tony Stoker latched onto us. He’s not taking the hint. Tony is―”
“The creepy photo guy?”
“Uh … yeah. Should I tell him we’re meeting later?”
He heard her sigh. “Shit, no! I don’t need to deal with him tonight. Look, I’m almost done with the reporters. I’ll send the bouncer down. He’ll pretend to kick everyone out. You wait behind, and after Stalker-man leaves, the bouncer will escort you upstairs. The bouncer’s name is Lenny. He knows your name. I told him he can trust you to point out who’s in our group.”
She trusts me. A childish flush flowed over him. “Sounds good.”
The ploy worked.