With Halloween approaching, Seventh Star Press is offering a scary low price on my sexy ghostly bestseller Haunting Obsession! From now until…?, new readers can download my most popular work and gateway story into my paranormal thriller series for just 99 cents!
Haunting Obsession, a top 100 ghost fiction bestseller during a previous 99 cents promotion, has been called “a page turner to the very last word.” by Renee Graham, Dead Speak Paranormal Radio show host. Bitten By Books praised its world building and character development in their 4/5 star rating. Eva’s Sanctuary proclaimed “The story line is well written and may actually make you believe in ghosts.” One Amazon reader posted “With Halloween coming, this is a book you will not want to miss. ”
If you’ve never yet met Loretta, Daryl, the elegantly seductive ghost and Hollywood icon Maxine Marie, or the mysterious Rebecca Burton, now’s your chance. The Haunting Obsession ebook is downloadable for 99 cents on Amazon, Barnes and Noble, and Kobobooks sites. Or, if you’d prefer to get a signed paperback copy directly from the author (for more than 99 cents,but autographs are always free and worth every penny you pay) click here to go to the dedicated page with all the links.
For starters, all I can say is, WHAT A GREAT WEEKEND! So let’s start with letting the shields down and a little truth telling. Events like these are taxing. They’re outdoors, they involve limited windows to set up big displays. Sometimes, by the time it’s all set, you have to find a second effort to get your public game face on.
But two things make it much easier. 1) Partnering with terrific people and 2) a good turnout and terrific conversation. And that’s why this weekend went so well.
For starters, I arrived way early to the Historic Hannah House, much to my surprise, so I found what I considered a prime shady location for our group. E. Chris Garrison and Laura Terhune arrived shortly after, and we had everything we needed. A kind stranger (I’ve never met any other type at the Paranormal Meet n Greet) helped us set up Laura’s canopy and we were set up and ready well ahead of opening. John F. Allen arrived shortly before noon with his vampire / werewolf thriller title.
Being a display of fictional ghost stories (as opposed to stories based on actual haunted encounters), we were not everyone’s cup of tea, but lots of visitors showed interest, and everyone treated us like family, which is on par with every experience I’ve had here, and that’s why I love supporting it. We had lots of conversations, caught up with old friends, met a few new ones, and even sold some books. I’m already looking forward to next year.
Speaking of old friends, the biggest surprise was seeing an old colleague, James W. Kirk. He and I go back to 199*mumble* college creative writing days, and he’s gone on to create quite a horror anthology brand with himself as editor-in-chief of some dozens of books. Check out his work here.
Then Sunday I returned to VERY local territory and took a double shift at the Greater Mooresville Chamber of Commerce booth during the opening day of the Old Settler’s Fair. I saw a lot of people who know me better as CopyBob but who were very interested to see the book titles I rarely discuss amongst them. And like last year, a few folks walked off with some books and my eye-catching Lost Soles (I need to make some more).
So I arrived home VERY tired, but also very excited to see the effort we put into offering the best stories and displays we possibly can start to pay off.
A little about your self `ie your education Family life etc
I have an education and a family life.
Fiona: Tell us your latest news?
My latest release is called Darkness with a Chance of Whimsy (DWACOW), compiling ten years of previously published short stories, including two stories directly tied to my Paranormal Thriller series. I am also releasing the collected paperback of my Red Lotus space opera series, just in time for Christmas.
This upcoming weekend marks my fourth year as a local author with InConJunction, a general SF/F con with a long and distinguished history in Indianapolis, and not for nothin’, the first con SF I ever attended waaay back in 199*mumble*.
All of my panels are in Indianapolis Ballroom C
Friday @ 9 PM @ Writing Dialog with Matthew Barron
Saturday @9 AM Small Press Publishing and Writer’s Expectations
Saturday @ 5 PM Building Your Brand: Promoting Your Work on Social Media
Inconjiunction is always a good time. I’m looking forward to seeing many old friends and making many new ones. Inconjunction will also be the first place ever that you can get a signed copy of my brand-new release Darkness with a Chance of Whimsy.
All of my books will be priced to sell,and the more you buy, the more you save.
“Backstage Pass is, on one hand, a deeply personal story. Released as a “Seventh Star Single” (a 99 cent short story you can still order here, though buying the collection is a much better deal) just a few weeks before Haunting Obsession in 2012, the story was inspired by my encounters through the years steeped in pop music fandom. I tried to channel the general friendliness and surrealism of that group, some of the wacky personalities one can encounter whenever the obsessed gather together to…well…obsess together.
Although I call this a personal story, the tale is full of inaccuracies, exaggerations, and outright lies. The protagonist writes for Rolling Stone, lives in New York, and is part of the publicity staff of the object of his admiration (a southern rock belle named “Fiddle Dee-Dee”).
It was a challenge to capture the tone of these escapades and use those episodes in a sci-fi tale, and I even included cameos of real people by name in what I hope they find flattering representations (“Mary Kay,” whom I told you about in my Fade excerpt, appears in this excerpt) but the story is pure fiction beyond the general truth that people can get lost in their hobbies and obsessions.
However….that said….I thought, for this excerpt, I’d pick the moment from the story that happened very much as depicted (and recalled as best that I could). Though still fictionalized, much of this scene really did happen, with minimal fictionalization to hide the name and identity of the guilty party. I suppose “Tony Stoker” may one day want to speak to me, but probably not. The lesson remains true–don’t act “cray-cray” around a fiction writer. We just can’t help ourselves.
The Setup: In the hours following the brutal murder of pop star “Fiddle Dee-Dee,” avid fan Jared Price discovers, to his horror, that he’d actually met and interacted with her murderer months before. As the realization hits him, Jared flashes back to…
Ten months earlier—Chicago, October 29, 2010
Jared stood near his friends, Mary Kay, Jamie, Rick and Michelle, still seated at the table where they’d viewed the track-by-track live performance, essentially loitering in the club after Dee’s jazz album release party. While Dee handled the official press backstage―such as it was―they waited for the coast to clear to hold a private meet n’ greet with Dee.
Tony Stoker (dubbed by Dee’s fans as “Stoker the Stalker”) also waited, his camera with its telescopic lens hung from one shoulder while he cradled a huge scrapbook against his chest. His gaze darted to their table, around the room, and back again. Tony frequented the newsgroups, so he knew their names. And he knew they had special access.
But they knew his name, too. And they knew he didn’t have special access. At this stage in her career, Dee often showed her few devoted fans incredible consideration, but if she bothered to keep a blacklist, Tony Stoker’s name would occupy the top slot.
Jared knew Tony Stoker by name, but not on sight. As they shook hands, Tony exclaimed, “Oh, you’re Jared Price! I’m Tony Stoker. You’ve been doing her website, right?”
Jared broke eye contact and stared into his drink. Damn! Now what? “Dee … Fiddle Dee-Dee … is just one of my clients. I write a syndicated music column. Recently, Rolling Stone and Billboard invited me to submit some reviews.” He braced for Tony’s next question.
Tony didn’t disappoint. “So … you guys going to meet with her tonight?”
“Nope, definitely not,” Jared answered, hoping he didn’t sound as much a liar as he suspected.
Tony’s arm fell across the back of Jared’s shoulders. “Buddy, can I tell you something?”
Jared flinched at the man’s piercing, brown-eyed stare―the look of someone who operated on a different plane from the rest of the world. “I think Dee-Dee is a goddess,” he oozed. “Her voice has the power to heal, to hurt, to affect our world. Maybe that’s intense, but that’s how I feel.”
Unfamiliar with how to handle whack jobs, Jared hoped understatement was the proper way to go. “Yeah, uh, that comes off a bit intense.”
Stoker the Stalker thrust the scrapbook at him. “I’m a professional photographer, but this book is just my Fiddle-Dee-Dee shots.”
Opening to a random page, Jared saw eight consecutive shots of Dee on stage, virtually an identical pose, taken rapid-shot. Why display so many shots of the same moment? Because he’s a whack job. Still, can I really judge another’s level of fanaticism?
Jared flipped the page. “Here’s one of her coming out of her hotel in Wisconsin last year. I waited in the lobby for six hours.” His finger dropped to a photo of Dee, a large canvas hat over her head and dark glasses hiding her eyes. Tony caught her mouth open in a frozen snarl aimed at the cringing blonde next to her. Lisa.
Jared knew about the fight, but few others did. He wanted to slug the slimy leech.
The Stalker’s voice droned on. “After about four hours, the bellboy asked me if I wanted something to eat. I told him I was fine.…”
“Everything okay here?” His “date,” Mary Kay, wandered over from their table. Though Mary Kay was “very gay,” they play-dated at concerts.
He read the questioning look in her eyes. “Just fine, MK. I was telling Stoker here,” he emphasized the name, “that Dee’s calling it an early night.”
“Yep!” She ran with the lie. “We were talking about hitting a dance club. Chicago’s got a wicked night life, and we wanted to do something positively sinful.” She flashed a mischievous smile.
Jared took her hand. “I like how you think. But first, I need to find the restroom.” He turned toward Stoker, who looked miserable. “Want to go clubbing?”
“No … I don’t think so. Maybe I’ll hang out for a few more minutes.”
“Suit yourself.” He headed for the Men’s Room.
Once alone, he pulled out his phone, found the D. Pat Cell entry and hit Talk. He kept Fiddle Dee-Dee’s name entered under an abbreviation of her little-known birth name, Deana Patterson. Last thing he needed was to lose his phone and for someone to find her name and number.
“Hello?” A familiar southern drawl.
“Dee? It’s Jared. Sorry to bother you.” He always apologized. Fiddle Dee-Dee deserved the proper respect. “We’re down here, but a guy named Tony Stoker latched onto us. He’s not taking the hint. Tony is―”
“The creepy photo guy?”
“Uh … yeah. Should I tell him we’re meeting later?”
He heard her sigh. “Shit, no! I don’t need to deal with him tonight. Look, I’m almost done with the reporters. I’ll send the bouncer down. He’ll pretend to kick everyone out. You wait behind, and after Stalker-man leaves, the bouncer will escort you upstairs. The bouncer’s name is Lenny. He knows your name. I told him he can trust you to point out who’s in our group.”
She trusts me. A childish flush flowed over him. “Sounds good.”
The ploy worked.
Inner Strength (subtitled for this collection “A Rebecca Burton Short Story” referencing the recurring character of my paranormal thriller series) was the second story written for Strange, Weird and Wonderful magazine. Whereas the first time, Able Bodied was selected from a slush pile, this time D.L. Russell invited me to write an original story for an issue in which I would be featured. Being a naturally humble person, I took him up on his invitation immediately.
This is also the only story where I recorded an audio version of me reading the entire thing. I have no idea where that file is now, and thinking back, I’m fine with it being lost forever. Few things are more awkward than trying to read a bedroom scene that you wrote yourself. Now you know.
The story was later reprinted in the magazine’s Best of collection A Big Book of Strange, Weird and Wonderful, Volume II. I am very proud to have been a part of that magazine’s short history and lament its passing. Fortunately, D.L. continues his efforts as the editor in chief of Black Books Publishing and as a brilliant author in his own right. I look forward to seeing what’s next for him.
Setup: This scene is the second one in the story. Todd Burton had his daughter “Becky” Burton for Halloween overnight as part of his visitation arrangement, and it’s the next morning. (During the first scene, Becky dances to a Fiddle Dee-Dee song and that’s not the last time you’ll hear about Dee n this series) He must now drop her off at his ex wife’s house, and as he does so, he is wallowing on his failed marriage and current circumstances.
Todd Burton maneuvered the van down the narrow side streets of their neighborhood. Her neighborhood. He had not so much as stepped up to the front door in eleven months, but he still often thought of it as their home. If this was still our home, I wouldn’t be dropping Rebecca off in front of the house and heading on to run errands on my own. I’d gather everyone up and we’d head off to a movie, just the three of us. He shook his head, clearing the melancholy. He spent little enough precious time with his daughter, and he hated when runaway thoughts dampened that time. He adjusted the reflector attached to the rearview mirror, allowing him to look all the way to the back of the van. Rebecca no longer sat in the middle row of seats. Since the separation, she preferred to go all the way to the back of the van, the couch-like seat at the rear, and stretch along its entirety, eyes locked on her video screen.
Rebecca caught his gaze upon her and smiled. She wiggled her fingers lazily at him and returned her attention to the game in progress. At least she seems happy. He pulled up, parallel to the curb, and stared across the lawn to the modern suburban home. Two stories, three bedrooms, plus a loft, the perfect home in which to grow a family.
Todd sighed. He just wished he knew what he could do to change things. He heard the words, heard the excuses, watched the love of his life shake her head and shrug. “I just don’t love you anymore.” How does that even happen? He always figured there was someone else, though he never saw any indication, and Rebecca never revealed anything about a new “Daddy” in her life. But the alternative—that their life together was a lie from the start—was too devastating to face.
Todd released a deep breath, swung open the driver’s side door, and stepped onto the street. His gaze traveled across the front porch, over the driveway. The gray Ford Taurus sat peacefully in the two-car driveway, the usual oil stains spotting up the pavement of the space next to it, without so much as a telltale drop of fluid or tire track to indicate the comings and goings of someone new.
Eyes still on the house, he stopped in front of the passenger door and popped it open. He thought perhaps the blinds behind the windows shook just a bit, indicating someone inside had noticed their arrival. He braced himself to hear the familiar voice of his soon-to-be-ex wife offer some sort of awkward greeting from the porch.
Todd flashed back to another time, long ago, when Olivia normally drove the “Errand Runner,” a name Todd had affectionately dubbed the reconditioned green van during one of his geekier moments. Settling into the passenger seat, Todd channeled his best Harrison Ford voice. “Firing up the sublight engines on the Errand Runner, honey.” Olivia would roll her eyes and shake her head, inserting the key and waking up the grumpy engine, but she always flashed him an affectionate smile that warmed his heart. The same smile that made him fall in love with her in the first place.
Now, Todd waited for Rebecca to emerge, knowing she needed a few extra seconds to disengage herself from her Nintendo DS, but time stretched beyond the norm. Annoyed, he called into the dark quiet of the van. “Come on, Rebecca, save your game and let’s go!”
He knocked insistently against the solid steel siding, knowing the noise would penetrate her concentration, even through headphones. He listened for any answer.
“Becky?” The silence alarmed him. No thumping of feet from the back of the van, no telltale “bleeping” of electronic noise to indicate the obvious preoccupation of his little “nerd in the making.” Not even her usual cry for patience, “I’m saving, Daddy!”
“Hey, string bean, save and quit, girl! Now.” Though relatively roomy, Todd hated struggling his 6’2” and 240 lbs of bulk around the middle row to the back of the van. Maybe she just didn’t hear me? Did she fall asleep?Maybe she found it a bit too comfortable today.
Todd placed a foot onto the first step and shoved his head into the compartment for an un-obscured view to the back.
Or so he thought.
Instead of the back seat, he saw a fantastic, unreal image—and froze.
Hovering in mid-air was a large, gaping “maw” of a portal, surrounded by a border of green glowing energy. The wavering oval gaped open about four feet high and perhaps two feet wide, encompassing what looked like the mouth of a cave, lit from within.
“Able-Bodied” was the first story I wrote specifically for a market. In this case, an ezine had launched out of Ft. Wayne, IN, called Strange, Weird, and Wonderful. “Able-Bodied” was written after pondering the meaning of the magazine’s title for several months. The submission led to an acceptance and a dialog with the editor-in-chief D.L. Russell. D.L. is a hell of a writer in his own right, and we have since become friends and he’s a valued colleague. Click here to check out his short story collection Hell is An Awfully Big City to see a cover that helped influence the cover to my own collection.
Setup: None. “Able Bodied” is a story that best unfolds from the beginning, so here are the first words of the tale.
Police detective Todd Harding stood over the sprawled body. Today was The Whiz Kid’s turn to die. Brad “The Whiz Kid” Zither lay on his stomach, brains leaking onto the polished oak floor, a look of slack-jawed stupor frozen on his youthful profile. Inches away, a ground-stone paperweight in the shape of the state of Indiana laid on the floor, the bumpy border of Lake Michigan smeared in crimson. The polished surface reflected a bright red stain―brighter than the crushed section on the back of the Whiz-Kid’s skull, which already began turning a gelatinous purple.
Ten years ago, The Whiz Kid exploded onto the technology scene, growing a “freeware add-on” office assistant program into a multi-million-dollar computer software company.
Tonight, The Whiz Kid had barricaded himself in the extravagant personal library of his luxurious mansion on three acres of the most secured, private woodland just north of Indianapolis, but that couldn’t save him from death.
In a few hours, The Whiz Kid would lie out on a slab alongside the homeless vet who died tonight of exposure in White River State Park, worth no more and no less.
The crime scene assistants hovered, anxious to clear away the body and start bagging evidence. Detective Harding shook his head, waving them off. He gave the study a quick preliminary glance. On the wall, the safe door hung open, exposing an empty metal pit.
The noise of a scuffle at the entrance broke Harding from his reverie. An angry slender blonde stormed through the door, followed closely by the rookie Rodriguez—his dark skin beneath the stubble of his shaved head glistening, even in this low light. He shot the rookie an annoyed glance. “What the hell, Rodriguez! I said no one enters the crime scene.”
“Sorry, Detective. She surprised me.” Though almost a foot shorter than the athletic woman, Rodriguez gripped her upper arm through the worn, ratty-looking knitted-blue sweater draped over the distraught woman’s shoulders. Her hair lay helter-skelter, as if she’d just woken up.
The woman pushed at the rookie’s hands. “I’m not ‘no one!’” she snapped, grammatical structure apparently the least of her concerns. As if fighting a draft, the woman crossed her arms over her chest, hands balled into fists at opposite shoulders, entwined in the knotted yarn of her sweater. Her right hand had clawed a large hole into the left shoulder of the tattered garment. “I’m Lauren Zither. This is my home, too! I want to know what you’re doing to find my husband’s killer.”
Detective Harding, usually the tallest and bulkiest person in the room at over 6’ and 240 lbs, knew he could create a considerable and intimidating presence, aided by his burr haircut, when the need arose. He stepped toward her, and noted with satisfaction how the confident anger soon melted from the young woman’s face. “Mrs. Zither, we’re examining the crime scene―which you seem intent on contaminating. You need to leave the way you came. Besides, there’s nothing you want to—”
She reached both hands to her mouth to stifle her shock.
Detective Harding placed a reassuring hand on her trembling shoulders, sinking his fingers into the tattered sweater, feeling the trembling of her shoulder. Couldn’t she afford a new sweater? That thing’s about had it. “I’m sorry. You don’t need to see this.”
She moaned into her hands, now pliant to the rookie’s guiding pulls toward the double-door entrance. “Who could have done this? It’s so … horrible!”
Harding watched Rodriguez usher the grieving widow out of the room. “Keep the room clear, Rodriguez! Crime team only.”
Harding placed his hands on his hips and surveyed the room again. He didn’t like it. Not one bit. It’s too … perfect. Too theatrical, too dramatic. Like a middle school stage play rather than the scene of an actual crime. Harding had examined dozens of murder scenes in his five years on the force, many more gruesome, a few more sterile, but he’d never before seen one so obvious. Whoever killed the Whiz Kid might as well have set up a neon sign flashing “Interrupted Random Burglary. Don’t look too closely.”
——— Click here to go to the Darkness with a Chance of Whimsy order page. Next: Inner Strength (A Rebecca Burton Short Story)
Fade was directly inspired by an obscure, quirky song by Cyndi Lauper, released on the obscure, quirky album Blue Angel. At the time, the release was difficult to track down (this was the 80s, it’s easy to find now) and I did so only after years of searching. Here is the song posted on YouTube. So inspired, I wrote the story for a college assignment, stuck it in a drawer, and forgot about it for several years.
Advance to 2001. I met one of the most amazing ladies in the universe, by which I mean Mary Kay Woolsey, not Cyndi Lauper, though I met her, too, because of this. MK was battling cancer, and, frankly, a number of shitty circumstances in her life. Several fans banded together to launch an archaic and labor intensive version of what would now be a Kickstarter campaign, about a decade before the platform was in place to make it easy. For my contribution, I partnered with artists Kathy and Roberto Campus and “self-published” Fade to fans as a “gift with purchase” to anyone who donated $25 or more.
By “self-published,” I mean I took a few sheets of paper, folded them in half and stapled the middle. (Hey, free gift with donation, whaddaya want?) Dig that booklet with snazzy Kathy Campus (now Kathy Sweeny) art. In any case, our combined efforts raised $1,600 for MK (Cyndi herself donated some autographed 45 singles because she’s awesome that way) MK recovered and she’s alive, well, and still one of the most amazing ladies in the universe.
And that, ladies and gentlemen, is the short version. So anyway, back to why you’re here.
The setup: Anna Blue is visiting her parents over Thanksgiving break. She brings the boyfriend home to meet the parents, and is also hiding a recreational drug habit. Said boyfriend Spencer Blake is floundering about being loyal to her or holding an intervention. During a fight about this very issue, Spencer and Anna literally fall into her father’s basement laboratory.
Her eyes opened. “Ohhhh … what happened?” She tried to rise.
Spencer placed a hand on her shoulder, pressing gently. “Wait. Make sure you’re not dizzy.”
“Honestly, I’m all right.”
He helped her to her feet. She smiled and put her arms around his neck.
“My hero,” she murmured. She pulled his face down to meet hers. He gave her a quick kiss, then pulled away.
“No, you’re not all right.” He pulled her hands apart and stood, separating them.
“What’s wrong? Why are you angry?”
“Why shouldn’t I be?” He turned and glared at her. “This wouldn’t have happened if it weren’t for your antics.”
“I’m sorry, okay? What do you want from me? I just needed something to take the edge off.”
Spencer swore and turned back toward the steps.
“Don’t tell my parents, Spence. Please. Just give me a little time and help me.”
He turned toward her. “I’m trying to help you. I just don’t know if I can keep doing this by myself.”
Anna nodded, dismissing the subject. She glanced around the shop, eyeing the tools. He waited for any indication she really cared about herself, that she knew she was in trouble. But instead she simply looked distracted.
“Y’know, I’ve only been down here once or twice. Weird he left it open. He’s usually careful about locking it.”
“If that’s the case, we should go. They’re expecting us, and I don’t think you want to be caught down here.”
“Hey, what’s this?” She reached down and picked up a helmet made of reflective blue metal from the edge of the workbench. It resembled some sort of hardhat, complete with a dangling chinstrap. As Anna shifted the helmet in her hands, Spencer noted some sort of circuitry on the inside casing.
Seeing her rummage through her father’s private work sent a new surge of anger through him. “Let’s go.” If she wasn’t allowed down here, she was going too far. He considered tossing her over his shoulders and bodily carrying her upstairs.
Shrugging in obvious defiance, she raised the helmet and placed it on her head.
He rolled his eyes at her petulance, and wondered if she’d actually taken some of the drugs before he caught her.
She stared back at him, a silly grin on her face. Maybe she hit her head after all.
He sighed, biting back words of mounting frustration. “There. Happy now? You’re wearing it. It’s too big for you anyway.”
“But what is it? Is Daddy inventing a new game, or a tool to punch holes in the wall—” She stabbed her finger at the drywall behind her. A sharp popping noise assaulted their ears, and a moment later they both stared, dumbfounded, at a wide gaping hole in the wall.
Darkness with a Chance of Whimsy opens with “The Assurance Salesman,” a story composed as a creative writing assignment that later went on to win the IUPUI Rebecca Pitts School of Liberal Arts creative writing award and ended up in the school’s literary magazine. (“genesis” spelled with a small g because Liberal Arts Students) College was a prolific time for me, as I imagine it is for many young writers, but this is one of only two stories that survived to have a second life years later and make it into this collection. It was even picked as one of the “Best of” in a one-shot 25 year retrospective of the publication. Neat.
The story was rewritten in 2004 (major overhaul would be more accurate), sold to Midnight Graffiti, and tweaked yet again for DWACOW. The major plot points, however, have remained the same. Here’s a short excerpt.
The setup: Five passengers on a midnight train to London are interrupted by a mysterious cloaked “stranger” who inserts himself into their philosophical discussion on love and affection. He reaches into his cloak to withdraw… ?
Gary sees the transparent center of the rose cloud with swirling blue smoke.
The stranger shrugs. “This little beauty—diamond, pendant, crystal, charm, I don’t really know what—is rather special. It took away all my doubts about love.” His eyes harden. “It’s also why I’m currently without companionship.”
They all wait.
The stranger delights in the moment, letting it linger before continuing. “You see, this rose is magical. I don’t know how it works, I only know that it does. I found it on a train rather similar to this one, under a seat, and I was ready to give it to the stationmaster when I accidentally discovered its powers.”
“A charlatan.” Stewart speaks, shaking his head. “You’re a con artist. I should’ve known better.”
“Oh, no. No gimmick here. Although I’m sure you’ll think so at first. You see, somehow, the crystal center can tap into the mind’s eye of another person. I don’t pretend to understand magic. Imagine, though, an object that can read your mind, find out who you love, and present you with an image of yourself … from that person’s frame of mind.”
He extends the glowing blue rose, tantalizingly, in front of Janet’s widened eyes. As it inches nearer, she bites her lip.
There is a loud chuckle from Stewart’s corner. “Of course. And how much do you ask for this miracle?”
“Fifty pounds for one gaze.”
Gary’s excitement dampens at the offer. “That’s ridiculous. For a silly parlor trick?” But his voice cracks, exposing his lack of conviction.
“I’m sure it makes you feel better to keep insisting that, and I can even see where you’re coming from. Which is why—” The stranger spaces his words carefully, aiming them directly at the transfixed woman. “—Janet can have a free look. Once you’ve taken her word for it, I’ll take your fifty pounds, each in turn.”
“Really?” Gary says, feebly, “and what makes you think it’s really worth fifty pounds?”
“Fifty pounds to know the unknowable? To make faith fact? Isn’t that worth fifty pounds to you?”
Janet’s hands are already clasped around the folded petals, which direct the light to make her face shine an eerie blue. She looks at the stranger uncertainly.
“What do I do?”
The stranger releases the rose into her hands. As she leans away from him, the stranger blends into the darkness. “Close one eye, and focus directly into the center. Don’t worry about light, it works even in total darkness. The image will be perfect.”
Janet holds the rose close. The stem burns against her trembling fingers; she needs both hands to steady the crystal. She can see the center, not simply clouded, but filled with smoky, animated, swirling, mist. An actual light of unknown nature within the rose causes the blue glow.
She hardly has time to reflect on this when the mist clears, and she finds herself staring at an image … of herself.
**** She is seated in the train, as she was moments earlier, leaning against her husband’s shoulder. Only Kevin is not in the picture, at least not his face. Her breath leaves her body as she realizes that she is seeing through Kevin’s eyes, looking down on his new bride. She can see her own face from his viewpoint. She remembers the daily routine of seeing her own face in a mirror, angry at the puffiness of her cheeks, at the way her hair would never settle quite right. In the rose, the flaws remain, but are filtered to the point of insignificance. She sees herself, all the features the same, but there is an image, a golden glow over her face and body that is almost angelic. A finger caresses her cheek, and the skin—her skin—feels the softest, smoothest, most beautiful silk she has ever touched. Images superimpose themselves rapidly over her body. She can see herself in her nightgown on their wedding night, a sense of pleasure mixed perfectly with tenderness. Purity and passion somehow become one and the same, and she is the source. She tries to force the flaws she sees in herself, the hair, the weight, the temper tantrums. They don’t exist in this image. She sees herself, but now she is his perfect woman, sexy, funny, beautiful, giving, Everything. ****
The rose drops from her hands into the stranger’s. She buries herself in Kevin’s arms, the joy in her sobs tearing from her.
“iloveyouiloveyouohgodhowiloveyou …” Her arms squeeze her husband’s shoulders as she cries. There’s no shame left, nothing to hold back, not now and not ever again.