Last Wednesday, horror author and good buddy Armand Rosamilia posted a guest blog I’d created some weeks earlier and while I was busy attending to other things. And what I mean to say is, I’m posting it several days later completely on purpose in to maximize exposure over a period of time.
Yeah, we’ll go with that.
So did you know that being a modern author is a lot like being in a garage band? Its true! Here’s what I posted.
Me between two author co-op peeps John F. Allen and E. Chris Garrison.
The Bass Player Quit Again
Or, the Chemistry of Author Co-Ops
“She wants to be an author when she grows up!” I looked down into the wide eyes of a tween girl. Her parents pulled her over to my booth so they could tell me this, apparently in hope that I could grant some words of wisdom on the spot. So I tell her half the truth. The good half. The encouraging half.
Thanks to modern technology, specifically ebooks and digital publishing, this little girl is growing up in a time when anyone who wants to chase their dream of being an author will have more choices before them than any era before. She can choose to avoid the lifelong frustration of rejections and never getting that break. Her destiny will be in her own hands, and success or failure will be more in her control than ever. The parents smiled and the girl glowed and my duty to inspire future generations was done for the day.
I had, of course, only told her the good news. What I didn’t tell her was that her destiny will be in her own hands, and success or failure will be more in her control than ever.
Today I’m turning the spotlight on R.S. Craig, or as I know him. Steve, the leader of the Avon Writer’s Group. I’ve been associated with the group for a few years, which cultivates a supportive. can-do attitude toward all its members, encouraging members to always move forward and keep on writing, because the process matters.
I’m pleased that Steve has taken that brave first step and put Children with White Knuckles out there. The novel is terrific. Though it reads as a fairly standard literary drama, there’s a sense of dread throughout, giving it a Gothic undertone for a satisfying finish. It presents an understated foreboding from the perspective of of an elderly couple who sense that something is being kept from them by members of their own family. It’s a slow burn that really catches on fire! Check it out.
Here’s an excerpt.
Sara spent the rest of the day in the back yard under the elm tree near the garden with Sparky lying in her lap. I thought I could hear him whimper as Sara petted him and whispered in his ear and hugged him. She came in for supper, helped Jenny with the dishes again, took a bath and came into the living room. She bent down, kissed me on the forehead and smiled. “Thank you for a wonderful day, Grandpa.”
I was thunderstruck. I had just received an unsolicited kiss from Sara, dear sweet little Sara Christine. I reached up and grabbed her shoulders. “Oh no Sara, thank you for a wonderful day and for getting my granddaughter back for me. God love you honey, Grandma and I love you so much.” I gazed into her eyes as she stood up and looked back at me with a big smile across her face. It was a precious moment that I relished as I watched Sara turn away. She walked to her room to watch TV for the rest of the evening, and I thought I actually heard her whistle as she went down the hall.
“Whatever spell has come over her, I sure hope it lasts,” said Jenny.
I said nothing. An uneasy feeling was beginning to creep up on me and I couldn’t figure out what it was about. I took a shower and came back into the family room. Jenny had gone down the hall to the office to spend time on the computer.
I walked in and asked her if she had seen Sparky.
She told me, “He’s with Sara.”
I watched a Saturday night movie and went to bed around 11:00. I was so tired and sleepy but I still had an uneasy feeling that I couldn’t seem to shake or reason out. I was missing something. There was something I was supposed to worry about. What was it? I stared at the ceiling and tried to think of what was wrong. I could think of nothing. I closed my eyes, willed myself to go to sleep, opened my eyes and glanced at the digital clock on the dresser—12:20. I was so tired and so sleepy. Why wouldn’t sleep come?
There was something more important than sleep that night; and it came as a thunderclap of remembering about something Leslie Sawyer had told me about dogs and how they can smell everything from heart attacks and seizures to fear and sadness. But Sara wasn’t sad; she was happy, more than happy, she was…what? There had to be another piece to the puzzle. What was it? Jenny and I would soon learn that Sara’s happy face and euphoria had blinded us to a terrible plan that Sara was about to carry out at that very instant.
The Three Amigos, L to R, John F. Allen, Me, and Chris GarrisonChris Garrison poses at the just-finished display shortly after setup.
For starters, all I can say is, WHAT A GREAT WEEKEND! So let’s start with letting the shields down and a little truth telling. Events like these are taxing. They’re outdoors, they involve limited windows to set up big displays. Sometimes, by the time it’s all set, you have to find a second effort to get your public game face on.
But two things make it much easier. 1) Partnering with terrific people and 2) a good turnout and terrific conversation. And that’s why this weekend went so well.
For starters, I arrived way early to the Historic Hannah House, much to my surprise, so I found what I considered a prime shady location for our group. E. Chris Garrison and Laura Terhune arrived shortly after, and we had everything we needed. A kind stranger (I’ve never met any other type at the Paranormal Meet n Greet) helped us set up Laura’s canopy and we were set up and ready well ahead of opening. John F. Allen arrived shortly before noon with his vampire / werewolf thriller title.
Being a display of fictional ghost stories (as opposed to stories based on actual haunted encounters), we were not everyone’s cup of tea, but lots of visitors showed interest, and everyone treated us like family, which is on par with every experience I’ve had here, and that’s why I love supporting it. We had lots of conversations, caught up with old friends, met a few new ones, and even sold some books. I’m already looking forward to next year.
L to R: James W. Kirk, Me, John F. Allen, Chris Garrison
Speaking of old friends, the biggest surprise was seeing an old colleague, James W. Kirk. He and I go back to 199*mumble* college creative writing days, and he’s gone on to create quite a horror anthology brand with himself as editor-in-chief of some dozens of books. Check out his work here.
Then Sunday I returned to VERY local territory and took a double shift at the Greater Mooresville Chamber of Commerce booth during the opening day of the Old Settler’s Fair. I saw a lot of people who know me better as CopyBob but who were very interested to see the book titles I rarely discuss amongst them. And like last year, a few folks walked off with some books and my eye-catching Lost Soles (I need to make some more).
At the Old Settler’s Fair 2015
So I arrived home VERY tired, but also very excited to see the effort we put into offering the best stories and displays we possibly can start to pay off.
I have a couple of exciting events next weekend, so let’s get right to it.
2012 Paranormal Meet n Greet with “Maxine Marie.”
First, I’m excited about the return of the Paranormal Meet n Greet at the Historic Hannah House on Indy’s south side, back again after a year’s hiatus. I always have a good time here, but the 2012 event where I launched Haunting Obsession was a special time.
This year I’ll be part of the SFG Guild vendor table with John F. Allen, E. Chris Garrison, and Laura Terhune, offering a wide array of ghost story, horror, urban fantasy, and paranormal thriller books. The event runs Noon-4 and is completely free and open to the public. Here’s more info from the event page:
Saturday August 8th 2015
Noon-4 pm Historic Hannah House, 3801 Madison Ave., Indianapolis, IN 46227. It can easily be reached from 465 by exiting US31 North, AKA East Street. The third light down is National Ave – go right. The next light is Madison Ave. The house sits on the corner of this intersection.
Then Sunday, Aug 9, I’ll at the Mooresville Old Settler’s Fair, Opening Day, at the Chamber of Commerce booth from 5-9 PM. I did this last year and had a terrific response.
“Robot Vampire” has gotten a lot of good attention since its release in 2012 as part of Vampires Don’t Sparkle, an anthology edited by Michael West. I suspect that the story being a fundraiser for cancer research helped, not to mention its amazing table of contents, with story contributions from Lucy A. Snyder, Maurice Broaddus, Tim Waggoner, Gary A. Braunbeck, Bob Freeman and Stephen Zimmer, to name a few, all helped to bring attention to the story my way. I’m certainly proud to be in such company.
I recall the germ for the story came about on a long family drive, one in which you find yourself playing nonsense games with each other. Anyway, for reasons I can no longer remember, we started pairing up monster types and giggling over the results because when you’re slaphappy, you’re also the most hysterical people in the world. And so, someone shouted “zombie robot!” (giggle) “werewolf zombie!” (giggle) “vampire werewolf!” (giggle) “robot vampire!” And while I giggled, a part of my brain already started to wonder “how could I make that work?”
Less than a month later, Michael West and I were talking and he asked if I had any ideas to submit to his anthology. Before I could think it through, my mouth responded, “Robot vampire”. Michael smirked that awesome Michael West smirk and said, “If you can make that work, I will buy it.” “You got it,” I said, even though I had no idea beyond the title.
Must brainstorming later, I turned in a story, one I’m pretty durn proud of, and still am. And so, apparently, was Michael.
The Setup: Jinan is an experimental robot who appears as a dark-haired Japanese girl and who emulates the agility of a human dancer. Moments before her premiere exhibition, Jinan is given a last-second programming tweak. The unintended consequence is that the robot achieves sentience, and the performance that follows wows the audience beyond almost everyone’s wildest expectations. Toshio, the show choreographer, is the one person who is not happy. In fact, he is furious over Jinan’s improvisations. The moment Jinan is alone, Toshio expresses his anger.
With their absence, something changes in my internal processes, a discordant flow of energy, again beyond my parameters to analyze. A response on the opposite side of the spectrum of the positive response I experienced earlier. I search my vocabulary for an appropriate word.
Dread. Is this dread?
Toshio yells in my face. “I know what you’re doing. Showing off for your masters. They programmed you too well, you little Diva bitch in the making.”
I file a conclusion about Toshio in a heuristic subroutine and speak my conclusion out loud. “I don’t like you, Toshio.”
Toshio’s face changes; his lips curve the opposite of a smile. “Oh, I’m so sorry to hear that! You don’t like me? You think I give two shits if you like me?”
Toshio walks to the toolbox in the far corner, opens the lid and examines its contents. “Gentoshu says you can learn now. To me, that’s great news. And very bad news for you, little Diva.” He turns toward me. One hand grips a screwdriver. He waves it in the air, the end pointed toward my face. “That means you can now respond to being punished, doesn’t it? But how?” Toshio looks upon me for several seconds. “I’d backhand you if you were a real girl. But I’ll bet I can come up with a way to make you respect me.”
You don’t need to listen to him, my special friend. I detect a voice, speaking directly to me, in my head, but outside myself. The experience, so unexpected and without context, causes me to speak out loud. “What?”
Toshio looks at me. “I said it’s time to make you understand your place.”
From his tone, I conclude that Toshio has not heard the voice.
As I consider this, the voice speaks again. I can help you, special one. I can protect you now. He cannot see me, he cannot hear me, but you can. Do not give me away, and in return I will help you.
A new thought forms in a subroutine. The voice could be caused by a splinter in my thought processes that formed a separate thought entity within my own. The idea intrigues me. But the words keep me silent.
The voice in my head laughs. A real laugh, not a simulated one. I am not in your head. I am a spirit from outside you. Do you know what a guardian angel is?
____
Thank you for reading through this series of previews. I’m very proud of this collection and hope that this gives you a better idea of what you will find inside.
“Starter Kit” was my first pro-rate sale, my only connection to an award-nominated collection (Lucy A. Snyder‘s chilling tale “Magdala Amydala” won the Stoker Award for best short story that year), and the first time I ended up in a table of contents with some writers I’d admired growing up and continue to admire. That the anthology came out through Apex Books also makes me unreasonably happy.
For all of these reasons, and maybe more, “Starter Kit” is one of two short stories I receive frequent comments (overwhelmingly positive) from the public (the other one will be discussed Monday when this series resumes after the weekend) so it’s appropriate that these two stories close the collection.
I share a bit more in the actual introduction to the story in my collection, so no need to repeat myself here. And so, without further delay, here’s the first couple hundred words of “Starter Kit.”
___
The cover of the anthology published by Apex Books.
Rodget stepped into his foyer after a long day at work. He hung up his coat and gave his waiting wife a quick kiss. Already, he sensed something wrong, and when he saw Little Belljy looking at him with expectant, wide eyes, a sense of dread fell over him.
“It’s the tank,” his wife said.
Rodget squatted down, meeting his seven-year-old son eye to eye. “What’s up?”
“There’s no movement. I can’t see anything. Mom says it’s ruined, but I don’t think so.”
Rodget sighed. “Let’s take a look.” He followed his boy into the bedroom. The pressurized glass tank took up one entire wall. Unlike the tank he grew up with years ago, Belljy’s offered a backlit night monitor, computerized zoom, and other modern upgrades.
Rodget stepped up to the tank and squinted through the glass at the thick, milky white swirl contained within. From here, everything appeared normal. Glowing. Thriving. Hauntingly beautiful in its own exotic way. But the real damage wouldn’t be visible to the naked eye.
Rodget leaned over the tank’s mini-computer and called up the first set of coordinates. Frowning, he pulled the magnifier screen up to eye level and glanced at the numbers on the readout 357, 285, 13—one of hundreds of coordinates identifying growing civilizations. Two days ago, several had progressed to the space-exploration stage. From there it would only be a few more hours to faster-than-light travel. Just yesterday, Belljy ran into the room, excited to tell him that three of his planets had discovered each other and opened negotiations for trade.
Bracing himself, Rodget slid the magnifier left. The screen showed flashes of gas giants, rocky terrain, black holes, blinding suns. He synched the numbers in the upper-left corner of the magnifier to match… 357, 285, 13.
A smoking black ruin of a sphere centered on his screen, and Rodget couldn’t hide his disappointment. He stabbed the magnifier button several more times, closing in on a major city, hovels still smoking from the radiation, the bodies of tiny specks piled atop each other—broken, blackened, torn apart.
“Backstage Pass is, on one hand, a deeply personal story. Released as a “Seventh Star Single” (a 99 cent short story you can still order here, though buying the collection is a much better deal) just a few weeks before Haunting Obsession in 2012, the story was inspired by my encounters through the years steeped in pop music fandom. I tried to channel the general friendliness and surrealism of that group, some of the wacky personalities one can encounter whenever the obsessed gather together to…well…obsess together.
Although I call this a personal story, the tale is full of inaccuracies, exaggerations, and outright lies. The protagonist writes for Rolling Stone, lives in New York, and is part of the publicity staff of the object of his admiration (a southern rock belle named “Fiddle Dee-Dee”).
It was a challenge to capture the tone of these escapades and use those episodes in a sci-fi tale, and I even included cameos of real people by name in what I hope they find flattering representations (“Mary Kay,” whom I told you about in my Fade excerpt, appears in this excerpt) but the story is pure fiction beyond the general truth that people can get lost in their hobbies and obsessions.
However….that said….I thought, for this excerpt, I’d pick the moment from the story that happened very much as depicted (and recalled as best that I could). Though still fictionalized, much of this scene really did happen, with minimal fictionalization to hide the name and identity of the guilty party. I suppose “Tony Stoker” may one day want to speak to me, but probably not. The lesson remains true–don’t act “cray-cray” around a fiction writer. We just can’t help ourselves.
The Setup: In the hours following the brutal murder of pop star “Fiddle Dee-Dee,” avid fan Jared Price discovers, to his horror, that he’d actually met and interacted with her murderer months before. As the realization hits him, Jared flashes back to…
—–
The original ebook cover designed by Stephen Zimmer
Ten months earlier—Chicago, October 29, 2010
Jared stood near his friends, Mary Kay, Jamie, Rick and Michelle, still seated at the table where they’d viewed the track-by-track live performance, essentially loitering in the club after Dee’s jazz album release party. While Dee handled the official press backstage―such as it was―they waited for the coast to clear to hold a private meet n’ greet with Dee.
Tony Stoker (dubbed by Dee’s fans as “Stoker the Stalker”) also waited, his camera with its telescopic lens hung from one shoulder while he cradled a huge scrapbook against his chest. His gaze darted to their table, around the room, and back again. Tony frequented the newsgroups, so he knew their names. And he knew they had special access.
But they knew his name, too. And they knew he didn’t have special access. At this stage in her career, Dee often showed her few devoted fans incredible consideration, but if she bothered to keep a blacklist, Tony Stoker’s name would occupy the top slot.
Jared knew Tony Stoker by name, but not on sight. As they shook hands, Tony exclaimed, “Oh, you’re Jared Price! I’m Tony Stoker. You’ve been doing her website, right?”
Later in the story, my regular series character Rebecca Burton makes an appearance. Art: Bonnie Wasson
Jared broke eye contact and stared into his drink. Damn! Now what? “Dee … Fiddle Dee-Dee … is just one of my clients. I write a syndicated music column. Recently, Rolling Stone and Billboard invited me to submit some reviews.” He braced for Tony’s next question.
Tony didn’t disappoint. “So … you guys going to meet with her tonight?”
“Nope, definitely not,” Jared answered, hoping he didn’t sound as much a liar as he suspected.
Tony’s arm fell across the back of Jared’s shoulders. “Buddy, can I tell you something?”
Jared flinched at the man’s piercing, brown-eyed stare―the look of someone who operated on a different plane from the rest of the world. “I think Dee-Dee is a goddess,” he oozed. “Her voice has the power to heal, to hurt, to affect our world. Maybe that’s intense, but that’s how I feel.”
Unfamiliar with how to handle whack jobs, Jared hoped understatement was the proper way to go. “Yeah, uh, that comes off a bit intense.”
Stoker the Stalker thrust the scrapbook at him. “I’m a professional photographer, but this book is just my Fiddle-Dee-Dee shots.”
Backstage Pass features the first appearance of Rebecca Burton’s druid nemesis Sparkle, shown here sipping from a Rebecca Mermaid Mug as drawn by E. Chris Garrison
Opening to a random page, Jared saw eight consecutive shots of Dee on stage, virtually an identical pose, taken rapid-shot. Why display so many shots of the same moment? Because he’s a whack job. Still, can I really judge another’s level of fanaticism?
Jared flipped the page. “Here’s one of her coming out of her hotel in Wisconsin last year. I waited in the lobby for six hours.” His finger dropped to a photo of Dee, a large canvas hat over her head and dark glasses hiding her eyes. Tony caught her mouth open in a frozen snarl aimed at the cringing blonde next to her. Lisa.
Jared knew about the fight, but few others did. He wanted to slug the slimy leech.
The Stalker’s voice droned on. “After about four hours, the bellboy asked me if I wanted something to eat. I told him I was fine.…”
“Everything okay here?” His “date,” Mary Kay, wandered over from their table. Though Mary Kay was “very gay,” they play-dated at concerts.
He read the questioning look in her eyes. “Just fine, MK. I was telling Stoker here,” he emphasized the name, “that Dee’s calling it an early night.”
“Yep!” She ran with the lie. “We were talking about hitting a dance club. Chicago’s got a wicked night life, and we wanted to do something positively sinful.” She flashed a mischievous smile.
Jared took her hand. “I like how you think. But first, I need to find the restroom.” He turned toward Stoker, who looked miserable. “Want to go clubbing?”
“No … I don’t think so. Maybe I’ll hang out for a few more minutes.”
“Suit yourself.” He headed for the Men’s Room.
Once alone, he pulled out his phone, found the D. Pat Cell entry and hit Talk. He kept Fiddle Dee-Dee’s name entered under an abbreviation of her little-known birth name, Deana Patterson. Last thing he needed was to lose his phone and for someone to find her name and number.
“Hello?” A familiar southern drawl.
“Dee? It’s Jared. Sorry to bother you.” He always apologized. Fiddle Dee-Dee deserved the proper respect. “We’re down here, but a guy named Tony Stoker latched onto us. He’s not taking the hint. Tony is―”
“The creepy photo guy?”
“Uh … yeah. Should I tell him we’re meeting later?”
He heard her sigh. “Shit, no! I don’t need to deal with him tonight. Look, I’m almost done with the reporters. I’ll send the bouncer down. He’ll pretend to kick everyone out. You wait behind, and after Stalker-man leaves, the bouncer will escort you upstairs. The bouncer’s name is Lenny. He knows your name. I told him he can trust you to point out who’s in our group.”
She trusts me. A childish flush flowed over him. “Sounds good.”
The ploy worked.
Inner Strength (subtitled for this collection “A Rebecca Burton Short Story” referencing the recurring character of my paranormal thriller series) was the second story written for Strange, Weird and Wonderful magazine. Whereas the first time, Able Bodied was selected from a slush pile, this time D.L. Russell invited me to write an original story for an issue in which I would be featured. Being a naturally humble person, I took him up on his invitation immediately.
This is also the only story where I recorded an audio version of me reading the entire thing. I have no idea where that file is now, and thinking back, I’m fine with it being lost forever. Few things are more awkward than trying to read a bedroom scene that you wrote yourself. Now you know.
The story was later reprinted in the magazine’s Best of collection A Big Book of Strange, Weird and Wonderful, Volume II. I am very proud to have been a part of that magazine’s short history and lament its passing. Fortunately, D.L. continues his efforts as the editor in chief of Black Books Publishing and as a brilliant author in his own right. I look forward to seeing what’s next for him.
Setup: This scene is the second one in the story. Todd Burton had his daughter “Becky” Burton for Halloween overnight as part of his visitation arrangement, and it’s the next morning. (During the first scene, Becky dances to a Fiddle Dee-Dee song and that’s not the last time you’ll hear about Dee n this series) He must now drop her off at his ex wife’s house, and as he does so, he is wallowing on his failed marriage and current circumstances.
Artwork that introduced the story in the Winter 2011 issue of SWW
Todd Burton maneuvered the van down the narrow side streets of their neighborhood. Her neighborhood. He had not so much as stepped up to the front door in eleven months, but he still often thought of it as their home. If this was still our home, I wouldn’t be dropping Rebecca off in front of the house and heading on to run errands on my own. I’d gather everyone up and we’d head off to a movie, just the three of us. He shook his head, clearing the melancholy. He spent little enough precious time with his daughter, and he hated when runaway thoughts dampened that time. He adjusted the reflector attached to the rearview mirror, allowing him to look all the way to the back of the van. Rebecca no longer sat in the middle row of seats. Since the separation, she preferred to go all the way to the back of the van, the couch-like seat at the rear, and stretch along its entirety, eyes locked on her video screen.
Rebecca caught his gaze upon her and smiled. She wiggled her fingers lazily at him and returned her attention to the game in progress. At least she seems happy. He pulled up, parallel to the curb, and stared across the lawn to the modern suburban home. Two stories, three bedrooms, plus a loft, the perfect home in which to grow a family.
Todd sighed. He just wished he knew what he could do to change things. He heard the words, heard the excuses, watched the love of his life shake her head and shrug. “I just don’t love you anymore.” How does that even happen? He always figured there was someone else, though he never saw any indication, and Rebecca never revealed anything about a new “Daddy” in her life. But the alternative—that their life together was a lie from the start—was too devastating to face.
Todd released a deep breath, swung open the driver’s side door, and stepped onto the street. His gaze traveled across the front porch, over the driveway. The gray Ford Taurus sat peacefully in the two-car driveway, the usual oil stains spotting up the pavement of the space next to it, without so much as a telltale drop of fluid or tire track to indicate the comings and goings of someone new.
Eyes still on the house, he stopped in front of the passenger door and popped it open. He thought perhaps the blinds behind the windows shook just a bit, indicating someone inside had noticed their arrival. He braced himself to hear the familiar voice of his soon-to-be-ex wife offer some sort of awkward greeting from the porch.
Todd flashed back to another time, long ago, when Olivia normally drove the “Errand Runner,” a name Todd had affectionately dubbed the reconditioned green van during one of his geekier moments. Settling into the passenger seat, Todd channeled his best Harrison Ford voice. “Firing up the sublight engines on the Errand Runner, honey.” Olivia would roll her eyes and shake her head, inserting the key and waking up the grumpy engine, but she always flashed him an affectionate smile that warmed his heart. The same smile that made him fall in love with her in the first place.
Now, Todd waited for Rebecca to emerge, knowing she needed a few extra seconds to disengage herself from her Nintendo DS, but time stretched beyond the norm. Annoyed, he called into the dark quiet of the van. “Come on, Rebecca, save your game and let’s go!”
He knocked insistently against the solid steel siding, knowing the noise would penetrate her concentration, even through headphones. He listened for any answer.
Silence.
“Becky?” The silence alarmed him. No thumping of feet from the back of the van, no telltale “bleeping” of electronic noise to indicate the obvious preoccupation of his little “nerd in the making.” Not even her usual cry for patience, “I’m saving, Daddy!”
“Hey, string bean, save and quit, girl! Now.” Though relatively roomy, Todd hated struggling his 6’2” and 240 lbs of bulk around the middle row to the back of the van. Maybe she just didn’t hear me? Did she fall asleep?Maybe she found it a bit too comfortable today.
Todd placed a foot onto the first step and shoved his head into the compartment for an un-obscured view to the back.
Or so he thought.
Instead of the back seat, he saw a fantastic, unreal image—and froze.
Hovering in mid-air was a large, gaping “maw” of a portal, surrounded by a border of green glowing energy. The wavering oval gaped open about four feet high and perhaps two feet wide, encompassing what looked like the mouth of a cave, lit from within.
“Able-Bodied” was the first story I wrote specifically for a market. In this case, an ezine had launched out of Ft. Wayne, IN, called Strange, Weird, and Wonderful. “Able-Bodied” was written after pondering the meaning of the magazine’s title for several months. The submission led to an acceptance and a dialog with the editor-in-chief D.L. Russell. D.L. is a hell of a writer in his own right, and we have since become friends and he’s a valued colleague. Click here to check out his short story collection Hell is An Awfully Big City to see a cover that helped influence the cover to my own collection.
Setup: None. “Able Bodied” is a story that best unfolds from the beginning, so here are the first words of the tale.
Art by David Burton and used by SWW to introduce Able-Bodied in the magazine.
Police detective Todd Harding stood over the sprawled body. Today was The Whiz Kid’s turn to die. Brad “The Whiz Kid” Zither lay on his stomach, brains leaking onto the polished oak floor, a look of slack-jawed stupor frozen on his youthful profile. Inches away, a ground-stone paperweight in the shape of the state of Indiana laid on the floor, the bumpy border of Lake Michigan smeared in crimson. The polished surface reflected a bright red stain―brighter than the crushed section on the back of the Whiz-Kid’s skull, which already began turning a gelatinous purple.
Ten years ago, The Whiz Kid exploded onto the technology scene, growing a “freeware add-on” office assistant program into a multi-million-dollar computer software company.
Tonight, The Whiz Kid had barricaded himself in the extravagant personal library of his luxurious mansion on three acres of the most secured, private woodland just north of Indianapolis, but that couldn’t save him from death.
Able Bodied is included in the Big Book of SSW Volume I
In a few hours, The Whiz Kid would lie out on a slab alongside the homeless vet who died tonight of exposure in White River State Park, worth no more and no less.
The crime scene assistants hovered, anxious to clear away the body and start bagging evidence. Detective Harding shook his head, waving them off. He gave the study a quick preliminary glance. On the wall, the safe door hung open, exposing an empty metal pit.
The noise of a scuffle at the entrance broke Harding from his reverie. An angry slender blonde stormed through the door, followed closely by the rookie Rodriguez—his dark skin beneath the stubble of his shaved head glistening, even in this low light. He shot the rookie an annoyed glance. “What the hell, Rodriguez! I said no one enters the crime scene.”
“Sorry, Detective. She surprised me.” Though almost a foot shorter than the athletic woman, Rodriguez gripped her upper arm through the worn, ratty-looking knitted-blue sweater draped over the distraught woman’s shoulders. Her hair lay helter-skelter, as if she’d just woken up.
The woman pushed at the rookie’s hands. “I’m not ‘no one!’” she snapped, grammatical structure apparently the least of her concerns. As if fighting a draft, the woman crossed her arms over her chest, hands balled into fists at opposite shoulders, entwined in the knotted yarn of her sweater. Her right hand had clawed a large hole into the left shoulder of the tattered garment. “I’m Lauren Zither. This is my home, too! I want to know what you’re doing to find my husband’s killer.”
Detective Harding, usually the tallest and bulkiest person in the room at over 6’ and 240 lbs, knew he could create a considerable and intimidating presence, aided by his burr haircut, when the need arose. He stepped toward her, and noted with satisfaction how the confident anger soon melted from the young woman’s face. “Mrs. Zither, we’re examining the crime scene―which you seem intent on contaminating. You need to leave the way you came. Besides, there’s nothing you want to—”
She reached both hands to her mouth to stifle her shock.
Detective Harding placed a reassuring hand on her trembling shoulders, sinking his fingers into the tattered sweater, feeling the trembling of her shoulder. Couldn’t she afford a new sweater? That thing’s about had it. “I’m sorry. You don’t need to see this.”
She moaned into her hands, now pliant to the rookie’s guiding pulls toward the double-door entrance. “Who could have done this? It’s so … horrible!”
Harding watched Rodriguez usher the grieving widow out of the room. “Keep the room clear, Rodriguez! Crime team only.”
Harding placed his hands on his hips and surveyed the room again. He didn’t like it. Not one bit. It’s too … perfect. Too theatrical, too dramatic. Like a middle school stage play rather than the scene of an actual crime. Harding had examined dozens of murder scenes in his five years on the force, many more gruesome, a few more sterile, but he’d never before seen one so obvious. Whoever killed the Whiz Kid might as well have set up a neon sign flashing “Interrupted Random Burglary. Don’t look too closely.”
——— Click here to go to the Darkness with a Chance of Whimsy order page. Next: Inner Strength (A Rebecca Burton Short Story)
By the time “Fade” was picked up by James W. Kirk to run in Indiana Science Fiction Anthology 2011, the story already had a long and interesting history.
Fade was directly inspired by an obscure, quirky song by Cyndi Lauper, released on the obscure, quirky album Blue Angel. At the time, the release was difficult to track down (this was the 80s, it’s easy to find now) and I did so only after years of searching. Here is the song posted on YouTube. So inspired, I wrote the story for a college assignment, stuck it in a drawer, and forgot about it for several years.
Cyndi and Mary Kay, with me unaware I was in the shot, circa 2002. The envelope under Ms Lauper’s arm contains Fade.
Advance to 2001. I met one of the most amazing ladies in the universe, by which I mean Mary Kay Woolsey, not Cyndi Lauper, though I met her, too, because of this. MK was battling cancer, and, frankly, a number of shitty circumstances in her life. Several fans banded together to launch an archaic and labor intensive version of what would now be a Kickstarter campaign, about a decade before the platform was in place to make it easy. For my contribution, I partnered with artists Kathy and Roberto Campus and “self-published” Fade to fans as a “gift with purchase” to anyone who donated $25 or more.
By “self-published,” I mean I took a few sheets of paper, folded them in half and stapled the middle. (Hey, free gift with donation, whaddaya want?) Dig that booklet with snazzy Kathy Campus (now Kathy Sweeny) art. In any case, our combined efforts raised $1,600 for MK (Cyndi herself donated some autographed 45 singles because she’s awesome that way) MK recovered and she’s alive, well, and still one of the most amazing ladies in the universe.
I was fortunate to get Roberto Campus on this project. He has since gone on to rock it pretty hard with mad art skills, as you can see here on his website.
And that, ladies and gentlemen, is the short version. So anyway, back to why you’re here.
The setup: Anna Blue is visiting her parents over Thanksgiving break. She brings the boyfriend home to meet the parents, and is also hiding a recreational drug habit. Said boyfriend Spencer Blake is floundering about being loyal to her or holding an intervention. During a fight about this very issue, Spencer and Anna literally fall into her father’s basement laboratory.
Image of the original booklet with artwork by Roberto Campus
Her eyes opened. “Ohhhh … what happened?” She tried to rise.
Spencer placed a hand on her shoulder, pressing gently. “Wait. Make sure you’re not dizzy.”
“Honestly, I’m all right.”
He helped her to her feet. She smiled and put her arms around his neck.
“My hero,” she murmured. She pulled his face down to meet hers. He gave her a quick kiss, then pulled away.
“No, you’re not all right.” He pulled her hands apart and stood, separating them.
“What’s wrong? Why are you angry?”
“Why shouldn’t I be?” He turned and glared at her. “This wouldn’t have happened if it weren’t for your antics.”
“I’m sorry, okay? What do you want from me? I just needed something to take the edge off.”
Spencer swore and turned back toward the steps.
“Don’t tell my parents, Spence. Please. Just give me a little time and help me.”
He turned toward her. “I’m trying to help you. I just don’t know if I can keep doing this by myself.”
Anna nodded, dismissing the subject. She glanced around the shop, eyeing the tools. He waited for any indication she really cared about herself, that she knew she was in trouble. But instead she simply looked distracted.
“Y’know, I’ve only been down here once or twice. Weird he left it open. He’s usually careful about locking it.”
“If that’s the case, we should go. They’re expecting us, and I don’t think you want to be caught down here.”
“Hey, what’s this?” She reached down and picked up a helmet made of reflective blue metal from the edge of the workbench. It resembled some sort of hardhat, complete with a dangling chinstrap. As Anna shifted the helmet in her hands, Spencer noted some sort of circuitry on the inside casing.
She raised the helmet and placed it on her head. Art by Roberto Campus
Seeing her rummage through her father’s private work sent a new surge of anger through him. “Let’s go.” If she wasn’t allowed down here, she was going too far. He considered tossing her over his shoulders and bodily carrying her upstairs.
Shrugging in obvious defiance, she raised the helmet and placed it on her head.
He rolled his eyes at her petulance, and wondered if she’d actually taken some of the drugs before he caught her.
She stared back at him, a silly grin on her face. Maybe she hit her head after all.
He sighed, biting back words of mounting frustration. “There. Happy now? You’re wearing it. It’s too big for you anyway.”
“But what is it? Is Daddy inventing a new game, or a tool to punch holes in the wall—” She stabbed her finger at the drywall behind her. A sharp popping noise assaulted their ears, and a moment later they both stared, dumbfounded, at a wide gaping hole in the wall.
Last Wednesday, horror author and good buddy Armand Rosamilia posted a guest blog I’d created some weeks earlier and while I was busy attending to other things. And what I mean to say is, I’m posting it several days later completely on purpose in to maximize exposure over a period of time.
