Haunting Writing Exercise

Haunting Obsession Lo RezHere, re-posted for your consideration, is a writing exercise I composed this morning in one of my writer’s groups. A bit of metafiction whimsey and proof that while Haunting Obsession has been out for several months, Maxine isn’t done haunting me yet. (Yes, at the  mentioned moment, two men stood just outside our open conference room door and proceeded to have a conversation.)

I stared at the laptop screen; the blank white surface stared back, screaming intimidation.

I glanced at the clock, mulling over the exercise, thinking, Wow, Steve, that’s a bit of a tall order. An evocative scene, using all five senses, simple words, and you want us to read it at the end of the hour? Really?

582152_10151060950622591_1149631412_nBehind me, I felt her lean against my shoulders, her breathy whisper in my ear sending a responsive shiver down my spine. “So, what’cha doing R.J.?”

I turned and looked behind me. There was Maxine Marie, the glamorous Hollywood ghost, the late great shapely gorgeous blonde, grinning for me and only me.

Still, I didn’t appreciate the timing. “Maxine, what are you doing here…now?”

Her bottom lip protruded, and she looked down at her feet. “Oh, look at Mister Serious Author, turning all grumpy-puss. As if I have any control over when I enter your mind.”

Art by Nell Williams.
Art by Nell Williams.

She turned and sat on the table, seated on her shapely bottom between myself and the new woman. Her body phased right through the chair, as ghosts tend to do.

It was fine, I could still see through her to the end of the room. A hint of vanilla lavender perfume drifted toward me. (Vanilla lavender? Sure, why not.)

“So,” said Maxine into the air, her nails tap-tap-tapping a quick rhythm on the tabletop. “You’re supposed to write to the five senses. What can we write about?”

I glared down, her nails, still ticking out their rapid tempo, the rhythm rapidly ratcheting on my last nerve. “Would you stop doing that please?”

She looked down, flashed an abashed grin, and folded her hands in her lap. “Sorry.”

“It’s okay.”

2012, with RJ and "Maxine Marie" from Haunting Obsession.
2012, with RJ and “Maxine Marie” from Haunting Obsession.

“So how many have we covered?” she asked. I started looking over my draft. “Not sure. I wish those two guys out in the hallway would stop talking so we would concentrate on the assignment.”

Maxine nodded. “No kidding. Hey!” She offered a mischievous grin. “Want me to go out and scare them?”

I considered. I knew I should be filled with alarm, the very idea jolting my body so I could describe all sorts of abnormal sensations for this writing exercise, but my heart just wasn’t in it.

Truthfully, the thought of her walking through the wall, appearing between them while donning thick black glasses, hissing a librarian-like “shhhhh……” and then vanishing into thin air gave me the giggles.

Art by Bonnie Wasson.
Art by Bonnie Wasson.

But…I shook my head. “No, better not.”

“Oh, poo. You’re no fun.”

I reached for my blue travel coffee mug and took a sip, the tepid liquid, two hours past its prime, left a bitter aftertaste.

Maxine nodded. “Nicely done, sneaking in the sense of taste.”

I smiled at the compliment. “Thanks!”

I drummed my fingers lightly across the black keys in a repetitive motion, trying to think where else to take this scene.

“Hey, Mister,” she chastised. “Now who’s being annoying?”

I stopped. “Sorry.”

Maxine’s gaze lifted, settling on the clock, which showed quarter ’til.

Lily Monstermeat as Maxine Marie.
Lily Monstermeat as Maxine Marie.

“Think you have enough?”

“Sure. Thanks, Maxine.”

“Don’t mention it. Talk to you soon, RJ.” And she vanished.

Learn more about Maxine Marie and Haunting Obsession at this link.

 

Review: How to take the back roads to the frontal lobes and end up cowering under the covers.

51BVk9RHzoL._SS400_Back Roads and Frontal Lobes
by Brady Allen

A collection of 23 short stories
2012 Post Mordem Press
10/10 Arjays (because nothing is cooler than an Arjay!)
Since September, I’ve been doing a progressive hit-and-run reading through Brady Allen’s premiere collection of short stories. I worked on it in chunks, taking breaks between stories, and also tackling  two novels and a holiday collection.

Perhaps because of this approach, more than anything else, my sanity remained intact during the shocking, disturbing, and wonderfully gobsmack-tastic stories presented within (though I suppose some may tell me it’s not as intact as I tell  myself, but I digress).

The title promises to take you to dark places, and the collection does not disappoint. Honestly, as a ghost story and sci-fi reader, it goes to darker places than my recreational reading habits are used to. Paranormal romance readers and Twi “LIGHT” readers, consider yourself warned.

A "candid" photo of R.J. reading Back Roads and Frontal Lobes
A “candid” photo of R.J. reading Back Roads and Frontal Lobes

I gave this collection my highest rating. That does NOT mean that I absolutely loved everything here without reservation. In my opinion, few readers will fall in love with everything here. I didn’t “get” a couple of stories. Others crossed into the realm of “too much.” But I loved most of it, and more to the point, I love the ambition of all of it.

You see, this collection defines what the term “edgy” storyteller really means.

If there is one overused, abused, and burdened word in all of modern horror, it’s “edgy.” Though kicked around all the time in fallback market-speak (I’ve even used it referring to myself), readers rarely experience a writer truly on the edge.

In this collection, Brady Allen makes 23 attempts to take you somewhere unique and exciting. Someplace you have never gone before. A handful of those times, he won’t quite get there. Most of those times, he will. What Brady will never do is play it safe. Never. And that’s what I admire about even the attempts that fall short. Even when I read something that falls a little flat, he by-God went for it, doing the narrative equivalent of standing on the high wire hopping on one foot while juggling chainsaws. So even when a chainsaw falls to the ground, you can’t help but salute the attempt. And when he succeeds, it’s even more amazing.

This collection, more than most, relies on what you bring in with with you, but I can say with confidence you will enjoy much from this collection. You may not think as much of the bittersweet ghost story “Small Square of Light” as I did. You may think more of “Devil and Dairy Cow” than I. You may prefer the sci-fi over the horror, you may gravitate toward the rays of hope in some tales or prefer to bask in the tone of impending doom of others.

One thing is clear with every story. Brady loves people. Rednecks, working professionals, rich or poor, the practical and the dreamers, he loves their spirit, even when the shell has cracked and insanity has overwhelmed them, even when society has turned against them, Brady admires people in their everyday struggles, both in the familiar normal or the new normal his sci-fi tales spell out.

He loves the camaraderie in everyday public gatherings. Just try to count the diners, pubs, truck stops, bars, and other similar places. Each one unique, filled with people and their dreams, desires, so  many of them beaten down and overwhelmed by their own baggage.

Since it’s my review, I’m obliged to discuss  some of my very favorites. And if you’ll pardon the bad pun,  your mileage, and opinion, may vary during your own travel of these back roads.

I very much enjoyed the very insane observations of Ned, who thinks he’s got it all together when nothing can be further from the truth in “Not Over Easy”.

I got a huge kick out of the twin tales “Taste of a Heart” and “Burger”, both featuring Rose Holmes, redneck psycho or perhaps something far more sinister.

I loved the trippy psychedelic journey as “Bear Hogan Walks the Sky”.
I dug the Twilight Zone-esque twist of a hapless late-night traveler’s unpleasant stop for gas and snacks at a filing station where “It Lives and Breathes”.

I wept to his blues tales of “Blues Bus to Memphis” and “The Ballad of Mac Johnstone”. Blues Bus, in fact, hits upon a universal truth of any artist trying to pursue their dream. A highlight in the collection that still haunts me today.

I read while peeking between two fingers of my hand during the–for lack of a better term–“Deliverance fiction” setup of in “Sh**s and Giggles”.

“Praying” and “There Are No Hills” are both powerful presentations of perseverance in two possible distopia / post apocalyptic futures.

And more, but that’s enough for this  review.

But I wanted to give special kudos to “The ‘Ists After the Apocalypse”, what I feel is the best of the bunch. Part political commentary, part zombie thriller, set in a world populated with fantstically drawn characters and situations, a story which, for me,  ended way too soon and could easily be expanded into a larger work. (hint-hint)

Bottom line: Those brave enough to travel Brady Allen’s Back Roads and Frontal Lobes will return much better for it. This collection receives my highest recommendation for those who love dark, edgy horror.

Strange, Weird, Wonderful…and Too Brief!

The anthology A Big Book of Strange, Weird and Wonderful Volume 2 was released December 1. What follows is the introduction, composed by me,  that opens the volume.

BB2SiteSmallCoverIn 2009, an Indiana Networking site announced a new publication called Strange, Weird, and Wonderful Magazine was open for submissions.  So one by one I sent in what I thought were some of my strongest selections and all were immediately rejected, so I composed something new.

“Able Bodied” appeared in the Winter 2010 issue, and Vol. I of this annual.  Newly motivated, I continued to shop my stories around and quickly realized SWW offered unique opportunities.

Let’s talk word count: A “limit” of 15,000 just isn’t done. Most editors preach the shorter, the better, but D.L. emphasized great stories dictate their own length, not the needs of the editor.  And as trends shift towards more electronic reading, print costs, the primary reason for the demand for shorter stories, no longer mattered.  But writers couldn’t practice excess simply because they had the room to do so. D.L. and Sharon also believe in discipline, and the importance of every word’s impact.

Soon after, I released my first novel, and D. L. asked if I was interested in contributing a story as the featured author. I said “yes” and submitted “Inner Strength,” the story in this volume.

Though this marked the first appearance of “Becky”, it was by no means her last. Readers can follow her adventures as Paranormal Investigator “Rebecca Burton” in the short story Backstage Pass and the novella Haunting Obsession, my latest releases through Seventh Star Press. Her story will continue, but she appeared in SWW first, and that makes me unreasonably happy.

SWW offered the perfect starting point for me and other writers serious about our craft. And I’m grateful it was there for me. I also know D.L. and Sharon have great plans for the brand: original anthologies and expanding into novels, where they’ll continue to offer a fantastic platform for talent. And so while this “Best of” volume marks the end of an era, I look forward to seeing the Strange, Weird and Wonderful tales of the future.

–R. J. Sullivan

Order your copy from Amazon or the pulbisher’s site!

I’m the Next Big Thing? Who Knew?

the-next-big-thingWelcome to my posting for The Next Big Thing, the traveling blog that asks authors who they consider the Next Big Thing, then has them pass along the questions for those authors to answer in their blogs.

I’m honored to have been picked last week by Michael West as his choice for the Next Big Thing.

And now without any further ado, here are my answers to the questions.

1. What is the title of your next book/work?

My next novel is Virtual Blue. I have a short story coming out in January in Vampires Don’t Sparkle, an anthology edited by Michael West and to be released by Seventh Star Press, but VB is my next major project.

2. Where did the idea come from for the book/work?

Haunting Blue Low Rez coverWhen I finished drafting Haunting Blue, my first novel, I had no inspiration that warranted going on with the story. Then a peer challenged me to brainstorm a sequel. An idea came to me that I fell in love with, and now I can’t wait to share it.

3. What genre does your book/work fall under?

Part science fiction, part paranormal thriller. Think of the good guys battling demons in cyberspace.

4. What actors would you choose to play the part of your characters in a movie rendition?

I’ve never considered who might play Blue, and no one is coming to mind, but computer nerd “Chip” Farren looks very much like an actor from “Days of our Lives” named Blake Berris, who started playing…well, a computer nerd…on the program in 2009. Since I would never openly admit to watching a soap opera, you will have to assume that someone must have pointed this out to me….. Ahem.

http://www.nbc.com/days-of-our-lives/about/bio/cast/blake-berris/625666

5 What is the one-sentence synopsis of your book?

I don’t have an official one yet, so we’ll go with this bad cliché for now: She fled from her past, but it caught up with her.

6 Will your book be self-published or represented by an agency?

It will come out in the summer of 2013 by small press publisher Seventh Star Press.

7. How long did it take you to write the first draft of the manuscript?

18 months and counting–my deadline is in February.

8. What other books would you compare this story to within your genre?

I can’t think of any books that have done this, exactly, but if we’re talking movies, it’s part Tron, part Dreamscape, part Elm Street 3: Dream Warriors–that gives you a good idea of the vibe.

9. Who or what inspired you to write this book?  

I didn’t want to write a sequel to the story of Blue and Chip unless I could bring something interesting to the next chapter. In Haunting Blue, the story takes place on the streets, in a brawl, in “Blue’s” punk girl world. I wanted to tell a cyber thriller story in which Chip is in his element and  Blue is the one who can’t figure out the rules. From that spark, the rest fell into place.

10. What else about the book might pique the reader¹s interest?

376743_10151060948417591_639062236_nBlue is assisted by a certain paranormal investigator from my novella Haunting Obsession.

Learn more about R.J. Sullivan at www.rjsullivanfiction.com .

And now to introduce you to my picks for the Next Big Thing(s):

Editor Prime and sci-fi/fantasy/romance author Debra Holland.

Dr. Holland holds a master’s degree in Marriage, Family, and Child Therapy, and holds a PhD in Counseling Psychology from the University of Southern California, and is a licensed Marriage and Family Therapist. She has twenty-one years of experience counseling with individuals, couples, and groups. Dr. Holland is a popular psychotherapist, consultant, and speaker on the topics of communication difficulties, relationships, stress, and dealing with difficult people. She is a featured expert for the media, and does entertainment consulting.

Paranormal/sci-fi/Urban fantasy author Eric Garrison .

Eric Garrison is active in the writing community in Indianapolis, Indiana. He lives in the Circle City with his wife, step-daughter and four cats. He also enjoys gaming and homebrewing beer. Eric released four urban fantasy novels.  These include the Road Ghosts trilogy (Four ’til Late, Sinking Down, and Me and the Devil), as well as his most recent novel, Blue Spirit. His novels are dark supernatural fantasies, dealing with ghosts, demonic possession and (in Blue Spirit) even sinister fairy folk.  These novels are all available in paperback, PDF and Kindle format. Eric’s short story, “Drag Show” appeared in the Fall 2011 edition of Strange, Weird and Wonderful Magazine.  His flash piece, “Dark Reflection”, appeared in the Indiana Horror 2011 anthology.

Superhero fiction author Matt Adams .

Matt is a former TV news producer whose stories have appeared in Wily Writers Podcast and anthologies from Library of the Living Dead Press and Timid Pirate Publishing. He lives and works in Indianapolis, Indiana, with his wife and (possibly) man-eating frog. Once, long ago, he planned to patrol the streets as Batman, but ultimately decided writing was safer and more cost-effective. He was only half right. His first novel, I, Crimsonstreak, is now out from Candlemark & Gleam!

Vampire lit. author Roberta Hoffer .

Hoosier Horror for the Holidays

The Mooresville Public Library

and the

Indiana Horror Writers

Present

Hoosier Horror for the Holidays

A gathering of Indiana authors with: Vampires, ghosts, pirates, superheroes, fantasy warriors, wizards, and more!

Saturday, November 3,
1-3 PM

Mooresville Public Library
220 West Harrison Street
Mooresville, Indiana 46158
317.831.7323, mooresvillelib.org

Featuring:

Matt Adams: Indianapolis, Author of superhero prose, lives and works in Indianapolis. Long ago, I planned to patrol the streets as Batman, but ultimately decided writing was safer. www.mattadamswriter.com I, Crimsonstreak.

Maurice Broaddus: Indianapolis, co-editor of the Dark Faith anthologies (Apex Books) and author of the urban fantasy trilogy, Knights of Breton Court (Angry Robot Books). www.MauriceBroaddus.com King’s Justice, King Maker, King’s War, Dark Faith, Dark Faith: Invocations, and more.

Nicole Cushing: Southern Indiana, prolific author of horrific short stories. www.nicolecushing.wordpress.com Werewolves and Shape Shifters: Encounters with the Beast Within (anthology); and the forthcoming novella Children of No One.

Eric Garrison: Indianapolis, dark supernatural fantasies: ghosts, demonic possession and sinister fairy folk. www.ericgarrison.wordpress.com Road Ghosts (3-in-1), Blue Spirit.

Roberta Hoffer: Indianapolis, three words: Romantic Vampire Series. www.asilentheart.com Silent Heart, Silent Madness.

R.J. Sullivan: Camby, author of edgy ghost stories and paranormal thrillers. www.rjsullivanfiction.com Haunting Blue, Haunting Obsession, Contributor to Dark Faith: Invocations

Kathy Watness: North Salem, serial contributor to fantasy anthologies, such as the Blue Kingdom series, “Terribly Twisted Tales,” and The Crimson Pact, V.1.

Michael West: Indianapolis, prolific author of traditional horror and scares. www.bymichaelwest.com Cinema of Shadows, Wide Game, Poseidon’s Children, Skull Full of Kisses, and the just-released Spook House.

Marilyn 3/3

Marilyn Movies: The Good, the Bad, and the Meh, the last of three parts.

Finishing up with the rest of the almost-good and the almost-bad, also known as the “Meh.”

Start at part 1

Go back to part 2

How to Marry a Millionaire

Popular Consensus: Marilyn shows off her comedic chops in this madcap comedy about three women trying to get their hooks into various rich guys.

How I see it: Whatever. And when I say “whatever” to a film co-starring Lauren Bacall, you know something’s wrong. This movie almost fell under “bad” but I’m in a good mood today. Maybe it was edgy at one time, but it’s eye-rolling today. How to you make a knockout blonde like Marilyn look “nerdy” and intelligent? Put a pair of large goofy glasses on her face, of course. Ho. Ho. Ho. Look at the image to the left. Is that hysterical to you? Right. That’s my point. Add to that, some near-sighted jokes that make Mr.MaGoo look sophisticated, and it all adds up to a movie you can take or leave, and you’re probably better off leaving.

“Known for” Marilyn Moments: None that I’m aware of.

Gentlemen Prefer Blondes

Jane Russell and Marilyn as two odd couple show girl best friends who keep getting into silly trouble.

Popular Consensus: A sex-comedy musical with Marilyn at her best.

How I see it: Okay, this one *almost* ended up in the good column. To be fair, there’s much to like here. The comedy is snappy, Jane Russell is also quite easy on the eyes, and there are at least two landmark musical numbers. The great moments are draped around a plot that barely exists, making the movie as a whole pretty generic, and as a result, one that doesn’t get a lot of replay in my collection. But that’s just me, you may feel otherwise. Even as I get ready to post this, I wonder if I’m judging too harshly. You decide and send me a nasty-gram. I may even admit I deserve it.

“Known For” Marilyn Moments: The hot-pink dress dance number to “Diamonds are a Girl’s Best Friend” Madonna paid homage to in “Material Girl”. (Also note the human chandelier in the number that would make Lady Gaga jealous).

Niagara

Popular Consensus: Marilyn delivers a riveting performance as a femme fatale.

How I see it: Here’s another one that almost ended up in the “good” category. This film doesn’t work for me, and I think it’s because the plot is a 1940s film noir. You have Joseph Cotton (!) as the troubled husband, Marilyn as the no-good wife plotting to do him wrong, the Naïve Young Couple as innocent as driven snow, the “other man” waiting in the wings to do in the husband. There are no characters here, only archetypes. Once you know the types, the movie proceeds exactly as you expect, including the “plot twist” you see coming a mile away.

Add to that, film noir should be that–dark. Black and white, lots of shadows. We need Humphrey Bogart in here somewhere. Instead, this plays in lavish Technicolor. It’s a disconnect.

But that’s just me. Again, there’s a lot to like here, just not enough for me to recommend it.

“Known for” Marilyn Moments: Posing under the covers with the shadow of vertical blinds across her face. She gives great strut in one party scene–seriously, the movie is “known” for these things.

The River of No Return

Cowboy and son and Marilyn on a raft escaping Indians.

Popular Consensus: A troubled production and missed opportunities resulted in an overall disappointment, then and now.

How I see it: I concur. The movie wants to be liked, and lays on the sweetness a bit thick. Rancher Robert Mitchum and his son end up taking Marilyn, playing yet-another showgirl, across the river to escape rampaging Indians after Marilyn’s no-good boyfriend causes trouble for everyone. Suffers from too many western clichés. One particular eye-roller is when Marilyn breaks out into song in the middle of the woods with a hidden band accompanying her. The blue screen rafting scenes that make up the last 20 minutes of the film do not hold up. It all plays out predictably and overall underwhelmingly.

“Known for” Marilyn Moments: None that I am aware of.

Don’t Bother to Knock

Marilyn turns psycho-babysitter in a low budget black and white thriller. Seriously.

Popular Consensus: For the most part, overlooked.

How I see it: A black and white thriller early in Marilyn’s career in which she plays a babysitter hired to watch a young girl in a swank hotel room while the parents attend a party downstairs. It’s clear early on that Marilyn’s character has mental problems and suffers from some post traumatic stress, and that the night may lead to some Very Bad Things. Though the credits say otherwise, this movie plays very “B picture”, and that’s not a bad thing, given the mood.

It’s a surprising film, and another movie I almost moved to the “good” category. I give Marilyn credit for tackling this role, and even more surprising since she landed it fairly early in her career. She has some chilling moments, but putting my fanboy perspective aside, the role gets away from her. She just doesn’t have the acting chops to hold this one together, though as a curiosity piece, I find myself watching it fairly often.

Worth noting:

Marilyn has tiny parts in the film classics All About Eve and The Asphalt Jungle. Both are great films for reasons that have almost nothing to do with Marilyn.

On the other hand, she also has a tiny part in Clash by Night, a fairly wretched film noir wanna-be with some of the most painful dialog ever delivered by any actress (in this case, Barbara Stanwyck). (And directed by Metropolis fame Fritz Lang! WTH?) The best that can be said here is it’s not Marilyn’s fault.

So there you have it., Feel free to comment and tell me if my ratings were good, bad, or meh.

Marilyn Films 2/3

The Good, the Bad, and the “Meh”
(because Marilyn can never be ugly)

Click here to read part 1

Finishing “The Good.”

The Prince and the Showgirl

Laurence Olivier as the titular prince and Marilyn as the titular showgirl. (I love using “titlular” in a sentence.) On paper, it seems a terrible mismatch of talent, and it is, just not the way you’d expect.

How I see it: Olivier may be the “greatest actor of his generation,” but he can’t seem to grasp the comedy based on the stage play he starred in for years. Marilyn, on the other hand, turns in an inspired, charming performance, and easily grabs the lion’s share of the laughs. Essentially this is a fluffy comedy about a traveling prince with a night off who secures a showgirl for a late night dinner party–or so she thinks. To no one’s surprise but hers, it’s a party for two, and she spends the weekend spurning his awkward passes, though she never quite makes it out the door for several days. Lots of laughs, a good time.

Accolades and popular consensus: Only a mild hit at the time, this is a movie that has grown in popularity, though I suspect most viewers would put this in the “Meh” category, neither good nor bad.

The film suffers from a segment midway through in which the prince drags the showgirl off to a cathedral where we’re “treated” to the “majesty” of the ceremony, which kills the momentum of the film midway through, and has to build up again. Still, it’s a personal favorite. Side note: the print of the film looks terrible; it’s long overdue for a proper restoration.

“Known for” Marilyn Moments: Olivier and Marilyn were constantly in the gossip columns during the making of the film. Olivier had little patience for Marilyn’s tardiness and lack of focus. Last year’s Academy-nominated bio-pic My Week with Marilyn is set during the making of this film, a powerful no-brainer for a double feature night.

THE BAD

Bus Stop

Okay, stop the bus. Let’s start with

Accolades and Consensus: Bus Stop is considered by film buffs a wonderful triumph for Marilyn, was a huge success at the time and is still much beloved to this day. Just look at how TCM gushes praise for it here.

How I see it: Understand up front I’m going against popular opinion here, but Bus Stop? “Train Wreck” is more like it. And I’ve tried. I’ve really tried. As a huge fan, I give it a spin every few years (and will again on Saturday), just to see if something clicks. Fortunately, it’s as forgettable as it is bad. The story is bad–I think. Something about a bus stop and a diner next door and a showgirl and a cowboy harassing her? I don’t care. The acting is bad. The songs are…you get the idea. Marilyn sings badly…on purpose…for comedy, so the raving comments say. Don’t listen. This is a terrible movie.

“Known for” Marilyn Moments: Her rather terrible rendition of That Old Black Magic, I guess. (Which, oddly enough, I can’t seem to find on YouTube.)

Update 2015–I’ve watched the film a couple more times and my view has softened toward it just a bit, but it’s still pretty terrible. I can enjoy and appreciate Marilyn’s brave performance, but the heart of the problem lies in the misogyny inherent in the premise. Let me be clear about the plot–this is about a brute ignorant cowboy who decides after looking at Marilyn one time that he has to marry her, and will not take no for an answer. He chases her, harasses her, and literally puts her over his shoulder more than once, and the turnaround at the end comes out of nowhere. Yes, she pities him, but I simply can’t believe she falls in love with him as the movie tries to sell us. I can’t imagine how modern audiences see this film. Bottom line, for me, it completely fails as a story, even if I can appreciate Marilyn in it.

Let’s Make Love

Co-stars Yves Montand as a pompous ass trying to win Marilyn’s affections while Tony Randall and Wilfred Hyde White wander around the movie with confused looks.

Accolades and Consensus and How I See It: Starts out promising with a sizzling musical number and then evaporates into a truly terrible 90 minutes.  It was a flop when it came out because it was terrible, and nothing has changed.

“Known for” Marilyn Moments: The opening number “My Heart Belongs to Daddy” is HOT. Here’s a link so you won’t have to bother with the rest of the movie.

THE MEH
(Because Marilyn can never be ugly)

Films that are neither good nor bad, merely films that fail to make much of an impression one way or the other.

There’s No Business like Show Business

Co-starring Ethel Merman, which tells you everything you need to know about whether this movie is for you.

Accolades and Consensus: This is ranked as one of her worst films. Many harsh things have been written about Marilyn’s “embarrassing” “Heat Wave” number, about which I disagree.

How I see it: Seriously, film people, y’all love Bus Stop but trash this? The problem with TNBLSB isn’t that it’s bad, it’s just that it’s not particularly good. Essentially a tribute to Irvin Berlin wrapped around the tiniest excuse of a plot, the trials of a touring family and music act in the early 20th century. Who cares? It’s a two hour first class send up to a bunch of Broadway tunes. Period. It plays old school, it is old school, I have a good time with it. Not for everyone, but not painful.

“Known for” Marilyn Moments: Marilyn’s eye-popping “Heat Wave” performance.

Click here for part 3: Finishing up the “Meh.”

Marilyn Films (1/3)

The Good, the Bad, and the Meh
(Because Marilyn can never be “Ugly”.)

Even a raving fan, if they’re honest, will tell you Marilyn Monroe cinema is like dancing across a landmine. Unlike other Hollywood icons, such as Alfred Hitchcock or Humphrey Bogart, it’s just not wise to go to the library and pick up a random title from her catalog. The quality is all over the place. Some films, frankly–and I say this as a fan–are so awful that they may put you off to ever trying another. You can’t even count on the film’s reputation! (more on that as we go)

And that would be a shame, because when Marilyn is good, she’s really good. Unfortunately, when she’s bad….it’s not always in the good way.

And so, with TCM preparing to air every major Marilyn film this Saturday, August 4, on the 50th anniversary of her death, [as written in 2012–alas, Marilyn is conspicuously missing from the TCM Schedule in 2015] I offer my expertise on where to begin, what to avoid, and what won’t scar you but won’t impress you, either. My opinion on some of these films differ from “popular consensus” and I’ll also tell you where that’s the case.

THE GOOD

Some Like it Hot

Arguably the very best. Marilyn shines when she has strong support and you can’t get much stronger than a Billy Wilder-written and directed film co-starring Jack Lemon and Tony Curtis. Jack and Tony are two musicians on the run from mobsters when they get a chance to join a traveling band to Florida–an all-girl band! So they man-up and channel their inner drag queen to blend in as “Geraldine” and “Daphne”, and, as they are “executive transvestites” and still dig girls, they’re attracted to and rival for the band’s lead singer, Marilyn.

Accolades and popular consensus: A smash hit when it first came out, the film is recognized on two AFI’s top 100 lists, including the #1 spot on their Top Comedies list.

“Known For” Marilyn Moments: Showcasing “I Wanna Be Loved by You”.

The Seven Year Itch

It’s no accident that Marilyn’s best comedic moments occur in Billy Wilder-directed films. Seven made Marilyn a superstar, with a lot of help from Tom Ewell as a stressed out husband and Dad who remains in Manhattan to work while the family escapes the heat of the summer (before A/C was common). He’s determined to stay focused until he gets his first look at the blonde who just moved in to the apartment upstairs.

How I see it: It’s still hysterical, even if the “edgy controversy” of its subject matter–a family man contemplating infidelity! Played for laughs! Heavens!–plays quaint today. The first ten minutes of this one are fairly insufferable–the credit sequence is meant for a VistaVision big screen and is illegible on video. And the twinky music! It takes several minutes of before the movie finds its stride, but it’s worth it.

Accolades and popular consensus: Another hit out of the box, a triumph for director Billy Wilder in his long list of triumphs.

“Known For” Marilyn Moments: The famous blowing skirt scene comes from this film, though compared to the publicity photos, the filmed version is fairly subdued.

The Misfits

Starring Marilyn Monroe, Clark Gable, and Montgomery Clift, written by Arthur Miller and directed by John Huston.  (Eli Wallach and Thelma Ritter kick ass in this, too). The Misfits is a drama scripted by famed playwright and then-husband, who wrote it for Marilyn to executive-produce. (No, Quantum Leap, she didn’t frickin’ audition for the frickin’ part, you frickin’ morons–ahem, sorry, derailed by a sidetrack). The script plays to her strengths. What I’m going to say next is strictly my opinion, but I’m sticking to it–by having the character tipsy or hung over most of the film, Miller turns Marilyn’s problematic condition onset into an advantage.  So give it up for the brilliant writer. (Yes, I went there).

Marilyn, a recent divorcee looking to escape from the city, hooks up with cowboy Clark Gable out in the country to learn all about the “the easy life.” Of course, she learns that getting away from it all is anything but. The more she tries to acclimate, the more she clashes with those around her.

The film builds to an extended sequence in which the cowboys take Marilyn on a Mustang wrangling trip–those sensitive to images of animal mistreatment be warned. As Marilyn runs around begging the cowboys to stop what they’re doing, the movie pulls no punches in showing a family of horses being taken down one at a time. [Spoiler–It all works out for the horses in the end]

Accolades and popular consensus: In spite of the mega-stardom behind and in front of the camera, the movie bombed on initial release. Gable had a massive heart attack shortly after the production wrapped, and The Misfits could not shake the stigma of being “the film that killed Rhett Butler.” In recent years, the film has been revisited and is receiving the proper credit it deserves.

“Known For” Marilyn Moments: Though she lived to see the film open, The Misfits proved to be Marilyn’s final film as well as Gable’s. She has several great moments in this film, my favorite being the screaming fit breakdown toward the end of the film.

Click here to continue to part 2.

RJ Sullivan Publishing News Press Release

For Immediate Release
February 23, 2012

Seventh Star Press Announces Four-Book Deal with Paranormal Author R.J. Sullivan
Seventh Star Press proudly announces a four book deal with author R.J. Sullivan, making him the seventh author to come aboard the publisher’s main roster.

The addition of R.J. Sullivan comes close after Seventh Star Press’ strongest year yet, during which titles such as Jackie Gamber‘s Redheart and Michael West‘s Cinema of Shadows received excellent critical reception, and the artwork featured by the press also received increased recognition, as Matthew Perry recently won Top Cover Art in the 2011 Tor.com Readers Choice Awards for his cover art on Stephen Zimmer‘s The Seventh Throne.

The first title to be released by Seventh Star Press, Haunting Obsession, tells the story of Daryl Beasley. Daryl collects all things Maxine Marie, whose famous curves and fast lifestyle made her a Hollywood icon for decades after her tragic death. Daryl’s girlfriend, Loretta Stevens, knew about his geeky lifestyle when they started dating, but she loves him, quirks and all.

Then one day Daryl chooses to buy a particularly tacky piece of memorabilia instead of Loretta’s birthday present. Daryl ends up in the doghouse, not only with Loretta, but with Maxine Marie herself. The legendary blonde returns from the dead to give Daryl a piece of her mind—and a haunting obsession he’ll never forget.

A member of the Indiana Horror Writers, R. J. Sullivan resides with his family in Heartland Crossing, Indiana. His first novel, Haunting Blue, is an edgy paranormal thriller about punk girl loner Fiona “Blue” Shaefer and her boyfriend Chip Farren.

R.J. is hard at work on the next chapter in Fiona’s story, Virtual Blue, which will be released in 2013, followed by two more novels over the course of 2013 and 2014.

“I was with Michael West at several events last year, and I couldn’t help but notice the slick marketing materials he was handing out,” R.J. Sullivan commented as to why he wanted to bring his work to Seventh Star Press. “I saw how Seventh Star had a personal presence nearby to assist at the cons. I realized that having the publisher at those events changes the convention vibe, which can otherwise be an isolated experience. I love that they produce interior artwork as part of their product–it shows an understanding of the genre and its readers. It’s clear Seventh Star understand the modern publishing world, and does everything they can to open up opportunities for the author to succeed.”

Bonnie Wasson, whose cover art and illustrations are featured in Seventh Star Press titles such as D.A. Adams’ The Brotherhood of Dwarves series, will be creating the artwork for the R.J. Sullivan novels.

Haunting Obsession will be released in limited hardcover, softcover (trade paperback), and several eBook editions, including versions for Kindle, Nook, the iBookstore, and Sony-compatible devices.

For further information on R.J. Sullivan and the upcoming releases, please visit www.seventhstarpress.com or the author’s site at www.rjsullivanfiction.com

Seventh Star Press is a small press publisher of speculative fiction located in Lexington Kentucky