I’m please to announce that Seventh Star Press has organized a blog tour to run all next week, June 27-July 3, in support of Commanding the Red Lotus. I am busy working on new anecdotes and inside stories to share with my readers in support of the book.
Those who have been around awhile know how this works. Below is the full listing of blog stops and dates. As each one goes live, I will turn each listing into a live link, creating a list so you can come back here and review the entries for posterity.
Also note that Seventh Star is holding a Giveaway on Goodreads in which they are … uh… giving away two free copies of Commanding the Red Lotus. The giveaway is going on now and runs through June 30. Click here to enter the giveaway.
It’s my pleasure to host a special blog interview on the eve of a new release by one of my favorite storytellers, editors, and publisher entrepreneurs, Mr. D.L. Russell. Almost a decade ago, he started the e-zine Strange, Weird and Wonderful when the idea of delivering magazines via an electronic file download was still new and not in wide use. D.L. used SWW to explore that potential and built SWW’s reputation as a place to find new, talented voices in dark fiction and as an outlet that discarded word count in favor of giving storytellers the room they needed to tell their story. I am proud to be counted among the new voices that first appeared within its electronic pages.
D.L. has since shut down SWW and branched out into themed anthologies under the publishing label Black Books Publishing. It’s first release, 21st century Black Erotica, sets the tone for how D.L. intends to push boundaries and offer his press as an outlet to examine all realms of subject matter.
His latest anthology shows a return to dark fiction with Illuminati at My Door, an exploration of secret societies and those who dare to find them and draw their attention.
Hi, D.L. On the surface, secret societies have been a part of speculative fiction for a long time. Can you tell us why you felt that now is a good time to return to this particular idea? Perhaps it, maybe, seems particularly appropriate to the time we live in?
The main reason is because I don’t feel these stories have been told from an accurate perspective of the common man. This anthology has nothing remotely related to the “last honest man,” constantly looking over his shoulder as he attempts to tell the truth before it’s too late. There are no Fox Mulders in this anthology. In fact, it’s just the opposites, with the main requirement of each story being believe-ability and a straightforwardness usually bypassed in such stories.
In some ways, editing a short story magazine and editing an anthology would be very similar experiences. What makes anthologies a different experience for you? Do you have a different mindset when you consider the submissions? What priorities do you have to consider that differ from magazine fiction?
When we were doing Strange, Weird, and Wonderful, each issue needed to have enough variety to please readers of several of the Spec Fiction Sub-genres. We never had a problem getting the scary stuff, but there were times when it’s all we had to go with and I had to make calls to writers I’d worked with on earlier issues to see if they had any Fantasy or Science Fiction pieces.
With anthologies, it’s the basic or detailed theme of each story that ties the book together. With Illuminati at my Door, the basic theme was if an individual was approached by a member of a secret society, how would they handle it? Especially in today’s world, where secret societies and conspiracy theories are everywhere; almost every major and minor event is branded with its conspiracy element.
Talk about your stable of authors. I know you maintain contact with your SWW contributors. On a new anthology like Illuminati at My Door, how many new names appear in the collection and how many are talents you knew from before who stepped up for you? Did any of the “old guard” surprise you in new ways, or did you discover a new talent that appears in your pages for the first time?
One of my goals as an editor and writer is to maintain good relationships with people I’ve worked with, including other editors, writers, and even artists. We’re all at different stages of our careers, but I think by maintaining those positive relationships, we’re able to cross those career barriers.
There are a couple SWW alums that came on board the Illuminati at my Door project; one was Mary Patterson Thornburg, who is a retired Ball State University English Professor, not only supplied the Foreword, but also has been Copy Editor for every title Black Books Publishing Inc. has done to date. I’d have to say my relationship with Mary is the best example I could give a young editor to keep your professional relationships positive at all cost.
The other is Matt Adams, who’s an Indy native and appeared in SWW with a story I fell in love with called “Old-Fashioned Police Work.” When I contacted him about the theme of Illuminati at my Door, he liked the concept and wrote “What the Network Wants” relatively quickly.
As for new talent, Ronder Scott, Melanie Williams, Rosie Maureen, and Natasha Cage all had limited publishing experience but their stories show no signs of inexperience. The hardest part about working with a newer writer is getting beyond any hang-ups they may have as far as an editor requesting changes to their work, but every one of these women kept an open mind until we had stories they could live with as writers, and I could accept as a publisher putting together an anthology.
In all honesty, I feel this is the best group of writers I have every worked with on an anthology. I’m very proud of the job everyone did and the professionalism they all showed throughout every stage of the project.
What prompted the changeover from the magazine to standalone anthologies? Was it a personal decision or was it something brought on by a shift in the industry?
It was simply a financial decision. Strange, Weird, and Wonderful was a free ezine, our payments to writers and artists weren’t being covered by the minimal advertising we were generating so Sharon Black and I made the decision to start SWW Publishing. Two years later I wanted to do a few projects that didn’t quite fit under the SWW umbrella, and Sharon had a few things she wanted to work on, so we parted ways, and shortly after that, Black Books Publishing Inc. was born.
The more I think about it, it was publications like SWW that helped put our industry in the financial pit it can’t seem to get out of. Readers have come to expect their stories for free and their novels for 99 cents. We created that monster, and now small publishers and self-publishers don’t know how to fix it. I’ve seen publishers give away thousands of copies in a given advertising campaign and never recoup those sales through actual purchases.
We are the only form of entertainment battling this issue and I think publishers should band together and agree to certain standards when it comes to pricing, and giveaways. If we could guarantee a high quality standard for our work, I think readers would embrace it.
What is the long term vision for Black Books Publishing? The website indicates a couple of exciting imprints coming in the near future.
Long term, I would like to amass a library of books that are well written and entertaining. I’m being picky on purpose, with the titles I publish and there’s a reason you haven’t seen a novel from us yet. The saying, about 1st impressions is true. I don’t know if we’ll ever be a prolific publishing company, but I do know each book published will be the best we could accomplish at that time.
This is defiantly a marathon for us, not a sprint.
When you recall what you had in mind for Illuminati at My Door and considering the finished book, how close did you come to hitting your expectations for the collection?
I think its spot on! I wanted strong writing, good stories, and no “last honest man, looking over his shoulder while trying to get to the truth,” kind of stories. Again, I think this is the best anthology I have ever put together.
Yes, I hope the next one is even better, but this is my best work as an editor and selector of stories to date.
Give us some short one-sentence teasers to some of the stories contained within Illuminati at My Door.
I would rather just tell you each story is based on an actual secret society rumor. Most have been around for years, others have not, but each is based on something that’s already floating around out there. Readers who follow those rumors will easily recognize where the ideas came from and those who don’t follow them will simply be entertained.
Indiana Comic Con was a great weekend for me, and for us, my partners in vending, John F. Allen, Chris Garrison, and Frank Smith III. We all moved a lot of books. The costumes were thrilling, the conversations stimulating and nonstop, the interest in what we were all about gratifying.
I wanted to get a Wonder Woman comic signed by George Perez, and could not. I blame a lack of coordination between the organizers and the talent that resulted in a line of fans that out-extended that of the Hollywood actors and a support staff that had no idea how to corral them. So with regret, I stepped out of that line and that was disappointing, but not enough to throw off the weekend as a whole. As a result of the crowds, activity, and the overall super-stimulation of the event, I did not return Sunday. it was me, not them. You can see all my photos here.
While I was gone, Commanding the Red Lotus continued to upload, and the ebook and paperback formats are now mostly up and available. I have also added it to my Buy Signed Books from RJ tab. Sales continue to be steady since the launch, and I’m very happy to be sharing this book, one very close to my heart. You can see the dedicated ordering page here.
Next up on my convention tour is Inconjunction on the east side of Indianapolis.
The paperback will be available in a matter of days, but if you have big plans to go to Indiana Comic Con this weekend, I’ll have the first paperback copies of Commanding the Red Lotus available anywhere, which can be signed by me, along with all my books. I brought plenty, but “selection is limited.” I mean, you never know, right? And signatures are always, always free and worth every penny you pay.
I’m very excited to announce that my first novel-length science fiction novel Commanding the Red Lotus has been finalized and scheduled by Seventh Star Press to go live over various formats next week.
Money Can’t Buy Respect
Sayuri Arai, privileged daughter of a corporate mogul, abandons a promising career to find her own path. She invests in a broken-down asteroid mining ship and steps in as the commander of its crew. Every day presents a new challenge just to keep her ship from falling apart and the bitter crew from killing each other. Can Sayuri unite the feuding factions, or will her rivals turn the entire complement against her? Commanding the Red Lotus offers a classic sense of wonder for today’s science fiction readers.
With my science fiction novel Commanding the Red Lotus due out in a couple of months, I wanted to take an author photo that reflected my love of the genre as well as the content of the book. I tend to take themed author photos anyway, something Seventh Star Press peer Michael West and I have in common.
In any case, I had an opportunity to pose in front of a green screen while local A/V guru Frank Smith III was filming John F Allen and I for the opening credits of our upcoming Two Towers Talk Show. I asked him to take a few still shots and drop a background behind me, and wham, bam, a near-instant author photo was created.
It speaks to my love of SF, and also has a not-entirely-intended callback to The Adventures of Superman, and what the heck, that ain’t a bad thing.
The official black and white version to be used in the novel:
I must say, I do rock in this, and my super-power of gut-suck was used to great effect. So another component has fallen into place. The manuscript is with an editor, and soon Seventh Star Press will officially reveal the awesome artwork created by Enggar, and the book will be out in time for convention season. I can’t wait to share it with you all…well, actually, I guess I can. But I’m very excited for that day to come. Stay tuned, there’s lots of excitement ahead!
I sat down in the midst of the holiday insanity of last December to Skype with Kim Smith, the charming hostess of the Writer Groupie Podcast, and talked about my favorite topic for 40 minutes: me. Specifically, she asked about my ghost stories, my love of science fiction, and asked about my upcoming release, Commanding the Red Lotus. She also asked what advice I’d give to an aspiring writer.
Hello, and welcome back! I hope everyone had a great holiday and is staying warm through the dreariest time of the year for us Hoosiers. Indiana winter weather always poses challenges; it affects schedules and vehicles in negative ways and always brings a bit of a letdown after the optimism of the holidays. This winter is no exception.
Typically, the holidays and the first couple weeks of January are the time I stop writing and try to recharge in anticipation of returning to my regular schedule when the view out my window is a tad less gloomy. That didn’t happen this year. I took on a new short story project over the holidays, which I completed last week. I also wrapped on the draft of the third Red Lotus story. Let’s look at those one at a time.
First, last fall, Pocket Books and Paramount announced a Star Trek Strange New Worlds Contest, requesting original Star Trek fiction to be considered for an upcoming anthology in 2016 to celebrate the program’s 50th anniversary. I swore off fan fiction some time back in high school, but, Star Trek (and by Star Trek I mean Captain Kirk and The Original Crew) is not only one of my favorite TV shows, but probably one of my favorite anythings, and it certainly served as the gateway to a larger appreciation of SF. My love for Star Trek continues undiminished to this day.
On the one hand, I fully understand that my chances of earning one of the twelve coveted slots are only slightly better than my chances of successfully riding a unicycle down the street without losing my balance. Over a sheet of ice. During a wind storm. But on the other hand, the chance to contribute an “authorized” tale of the Starship Enterprise proved too great an attraction to ignore. If I didn’t do it, I realized, I’d always wonder what might have happened.
And so, two days before the January 15 deadline, I turned in “The Fittest,” a first contact tale in which Lt. Uhura gets into a heap of trouble during a planetary scouting mission.
And if it doesn’t get picked for the contest…well…it just might show up as a free download somewhere, someday.
Prior to the Star Trek contest throwing off my plans to take it easy (or as easy as I ever can during the hectic holidays) I managed to bring my third Red Lotus SF tale to a conclusion and get the draft out to a few pre-readers for their evaluation. That process is going forward, and should wrap up in a couple of weeks.
The result of that will be my first novel-length entry into the spaceship SF genre, Commanding the Red Lotus, to be released by Seventh Star Press. The book will include all three Red Lotus tales gathered into one volume and released as a softcover paperback for the first time: Fate of the Red Lotus (a previously released novelette available in ebook only) Red Lotus: Innocence Lost (a previously released novelette available in ebook only) and Mutiny on the Red Lotus (a 30K word novella which will be new to this collection).
In the meantime, Seventh Star is pushing forward with the production. I have just signed off on the cover to the release, and it’s pretty amazing. Enggar, the same SSP artist who created the cover for Darkness with a Chance of Whimsy, has a knack for space opera, and he channeled that talent to create an incredible cover for Commanding the Red Lotus. Watch for a follow-up post in a few days where I’ll unveil the art in all its glory. We are still aiming for an April release.
Speaking of April, keep the Indiana Comic Con in mind, as that’s a new event for me, where I hope to have all of my titles on sale, including Commanding the Red Lotus. Indiana Comic Con is at the Indiana Convention Center the weekend of April 30-May 1. It’s going to be the biggest event I’ve participated in as a vendor, a pretty star-studded event–and I’ll be there, too. Details to come.
I think that’s it for now. Just wanted to let you all know I’m still here and things are pushing along behind the scenes, and 2016 is shaping up to be one of the most exciting yet!
I’m pleased to be able to host a stop on the blog tour of my good friend and awesome author John F. Allen. As part of his critique group, I’ve read Codename: Knight Ranger as he was writing the various components of it. If you like Iron Man, Captain America, and the Six Million Dollar Man, you need to see how John plays with similar ideas and makes them his own. That’s why for this guest post, I asked him to pick the heroes that had the biggest impact on his writing. Let’s see what he said….
List the top genre heroes when you were growing up that influenced your writing today.
Batman I fell in love with Batman from as far back as I can remember. Before any other heroes, there was the Caped Crusader, the Dark Knight Detective and the senior half of the Dynamic Duo. I could say it was his humanity that drew me to the character, and I suppose that is in part the truth. However, I must admit that the dark, tragic origins of the character were equally as influential to me. I love flawed, human characters. Batman was a tragically flawed human, who used his means to become the protector of the streets in his city of Gotham and a terror to the criminal element.
Shaft John Shaft was my hero. He was the street smart, charismatic, sarcastic ladies man on the surface, but he was also the intelligent, courageous and selfless hero who stepped up to the challenge when he was called to it.
Spenser I read my first Spenser novel, by the late, great Robert B. Parker back in 1980. I was drawn to the character’s morality, veracity, wit and compassion. Sure, he was a tough guy in the mode of Sam Spade and Philip Marlowe, but he was also an intellectual and gentleman.
From the first time I read about the adventures of V.I. Warshawski, the tough as nails female private eye created by Sara Paretsky, I fell in love with her wit, swagger and propensity for getting into harrowing situations. However, the one thing that stood out about her the most was her self reliance and autonomy. She wasn’t the typical “Damsel in Distress” and could roll with the fellas, but still be a lady.
Wonder Woman was the strong, beautiful and wise heroine who embodied hope and peace. As a fan of the comics and the 70’s TV show, I was drawn to this larger than life female who could juggle cars, but was also compassionate to the weak and downtrodden, who sometimes were at best an afterthought to others.
Black Panther was the epitome of the positive depiction of a black male in comics. He was a King, he was a genius, he was extremely wealthy, brave, benevolent and strong. Growing up during the 70’s, the depictions of black males and black people in general were largely stereotypical at best. Black Panther served as an inspiration of what black characters should be.
1) Conan the Barbarian/Tarzan of the Apes
2) Steve Austin (Six Million Dollar Man) – he almost made it, but is in the Top Ten.
3) The Shadow/Doc Savage
4) Sherlock Holmes
5) Captain James T. Kirk, Captain Jean Luc Picard and Captain Benjamin Sisko
About the author John F. Allen is an American writer born in Indianapolis, IN. He is a member of the Speculative Fiction Guild and the Indiana Writers Center. He began writing stories as early as the second grade and pursued all forms of writing at some point, throughout his career. John studied Liberal Arts at IUPUI with a focus in Creative Writing, received an honorable discharge from the United States Air Force and is a current member of the American Legion. John’s debut novel, The God Killers was published in 2013 by Seventh Star Press.
John currently resides in Indianapolis, Indiana with his wife, son and daughter.
Codename: Knight Ranger: Captain Alexandre Cornelius “Neal” Du Bois is a US Army Ranger and decorated war hero. When his unit is ambushed by supernatural hostile forces while in Afghanistan, only Neal survives. When he wakes up in a secret government facility, Neal discovers that his whole life has changed forever.
A shadowy government agent named Elijah Bishop arranges for Neal’s brain to be transplanted, without his permission, into a bio-engineered body capable of amazing feats. Armed with advanced body armor and weaponry, he becomes the epitome of the Ultra Soldier.
To protect his family and those closest to him, he must let the world and everyone he loves believe he is dead. With assistance from Dr. Avery Clarkson–the scientist responsible for his new body–Neal reluctantly utilizes his superhuman abilities to work for Bishop and his organization called G.E.N.E.S.I.S. (Global Espionage Network of Elite Supernatural Intelligence and Surveillance), in order to track down those responsible for the slaughter of his unit and keep the world safe from supernatural terrorist forces.
Tour Schedule and Activities
11/2 On Cloud Eight-and-a-Half Guest Post
11/2 A Charmed Life Review
11/3 Creatives Help Board. How may I direct your call? Author Interview
11/4 Armand Rosamilia, Horror Author Guest Post
11/4 Book in the Bag Interview
11/4 RJ Sullivan Top 5 List
11/5 Darkling Delights Interview
11/6 Beauty in Ruins Guest Post
11/6 Sheila’s Blog Guest Post
11/6 Bee’s Knees Reviews Review
11/7 The Infamous Scribbler Review/Interview
11/7 Vampires, Witches, & Me Oh My! Top Ten List
11/8 Sapphyria’s Book Reviews Guest Post